What is it about...?: Difference between revisions

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{| class="wikitable"
{| class="wikitable"
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!Name !! Mood !! colspan="7" |Interval
! rowspan = "2" | Mode !! rowspan = "2" | Mood !! colspan= "12" | Semitones
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|Ionian|| Major|| {{bg|green}} whole  || {{bg|green}} whole  || {{bg|yellow}} half  || {{bg|green}} whole  || {{bg|green}} whole  || {{bg|green}} whole  || {{bg|yellow}} half
! 01 !! 02 !! 03 !! 04 !! 05 !! 06 !! 07 !! 08 !! 09 !! 10 !! 11 !! 12
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|Dorian|| Jazz. Avoid.|| {{bg|green}} whole  || {{bg|yellow}} half  || {{bg|green}} whole  || {{bg|green}} whole  || {{bg|green}} whole  || {{bg|yellow}} half  || {{bg|green}} whole 
| Ionian || Major: happy. || {{bg|green}} || || {{bg|green}} || || {{bg|green}} || {{bg|green}} || || {{bg|green}} || || {{bg|green}} || || {{bg|green}}  
|-
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|Phrygian|| Jazz. Avoid.||{{bg|yellow}} half  || {{bg|green}} whole  || {{bg|green}} whole  || {{bg|green}} whole  || {{bg|yellow}} half  || {{bg|green}} whole  || {{bg|green}} whole 
| Dorian || Jazz. Avoid. || {{bg|green}} || || {{bg|green}} || {{bg|green}} || || {{bg|green}} || || {{bg|green}} || || {{bg|green}} || {{bg|green}} ||
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|Lydian|| Jazz. Avoid.|| {{bg|green}} whole  || {{bg|green}} whole  || {{bg|green}} whole  || {{bg|yellow}} half  || {{bg|green}} whole  || {{bg|green}} whole  || {{bg|yellow}} half 
| Phrygian || Jazz. Avoid. || {{bg|green}} || {{bg|green}} || || {{bg|green}} || || {{bg|green}} || || {{bg|green}} || {{bg|green}} || || {{bg|green}} ||
|-
|-
|Mixolydian|| Blues|| {{bg|green}} whole  || {{bg|green}} whole  || {{bg|yellow}} half  || {{bg|green}} whole  || {{bg|green}} whole  || {{bg|yellow}} half  || {{bg|green}} whole 
| Lydian || Jazz. Avoid. || {{bg|green}} || || {{bg|green}} || || {{bg|green}} || || {{bg|green}} || {{bg|green}} || || {{bg|green}} || || {{bg|green}}  
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|Aolian|| Natural Minor|| {{bg|green}} whole  || {{bg|yellow}} half  || {{bg|green}} whole  || {{bg|green}} whole  || {{bg|yellow}} half  || {{bg|green}} whole  || {{bg|green}} whole 
| Mixolydian || Blues. || {{bg|green}} || || {{bg|green}} || || {{bg|green}} || {{bg|green}} || || {{bg|green}} || || {{bg|green}} || {{bg|green}} ||
|-
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|Locrian|| Jazz. Avoid.||{{bg|yellow}} half  || {{bg|green}} whole  || {{bg|green}} whole  || {{bg|yellow}} half  || {{bg|green}} whole  || {{bg|green}} whole  || {{bg|green}} whole 
| Aeolian || Minor: sad. || {{bg|green}} || || {{bg|green}} || {{bg|green}} || || {{bg|green}} || || {{bg|green}} || {{bg|green}} || || {{bg|green}} ||
|-
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| Locrian || Jazz. Avoid. || {{bg|green}} || {{bg|green}} || || {{bg|green}} || || {{bg|green}} || {{bg|green}} || || {{bg|green}} || || {{bg|green}} ||
|}
|}
<li>
A lot of this is jazzy nonsense, but there is something really interesting: The Ionian mode is the happy one. Doe a deer, and so on. But the Aeolian mode — the exact same sequence of intervals, only starting in a different place, sounds really ''sad''. It is the minor key.
''Do re me'' is a tune set to the major scale, the main musical scale of Western music. <li>
{{L4}}
''Do re me'' is a tune set in the Ionian mode. <li>
'''Why do re me'''? Eleventh-century Italian Guido of Arezzo invented a notational system after the first syllable of each line of the Latin “{{plainlink|https://open.spotify.com/track/1sXoq787SP50CH0ee5Zvxr?|Hymn to St. John the Baptist}}”, each of which started on a successive note of the major scale. A seventh tone, ''ti'' was added later. The eighth note of the “octave” is the first one repeated up one level (which, er, “brings us back to doh”.)</ol><li>
'''Why do re me'''? Eleventh-century Italian Guido of Arezzo invented a notational system after the first syllable of each line of the Latin “{{plainlink|https://open.spotify.com/track/1sXoq787SP50CH0ee5Zvxr?|Hymn to St. John the Baptist}}”, each of which started on a successive note of the major scale. A seventh tone, ''ti'' was added later. The eighth note of the “octave” is the first one repeated up one level (which, er, “brings us back to doh”.)</ol><li>
'''Octaves and frequency''': To raise a note by an octave is double its frequency: at concert pitch, “middle A” (“A0”) is 440Hz. A1 is 880Hz, and so on.
'''Octaves and frequency''': To raise a note by an octave is double its frequency: at concert pitch, “middle A” (“A0”) is 440Hz. A1 is 880Hz, and so on.