83,240
edits
Amwelladmin (talk | contribs) No edit summary |
Amwelladmin (talk | contribs) No edit summary |
||
Line 5: | Line 5: | ||
Stage left: the [[Negotiator]] cuts a track through the hullaballoo. And then sees her. Hullaba-hell''oooo''. | Stage left: the [[Negotiator]] cuts a track through the hullaballoo. And then sees her. Hullaba-hell''oooo''. | ||
The counter scene is chaos. His bar presence is zilch. All the same he catches her eye — ''just''. There’s a flicker and its gone. She looks down. She looks away. She flushes red. ''There'': she steals another look through that tumbling fringe. '' | The counter scene is chaos. His bar presence is zilch. All the same he catches her eye — ''just''. There’s a flicker and its gone. She looks down. She looks away. She flushes red. ''There'': she steals another look through that tumbling fringe. The Negotiator knows it: ''this'' is the moment. | ||
He rams a [[Cayman Island rum cake|Tortuga chaser]]. That bad boy gives him wings. He | He rams a [[Cayman Island rum cake|Tortuga chaser]]. That bad boy gives him wings. He rocks up. “Is this guy boring you?” | ||
The stares straight at him. “Not yet.” | |||
She blows her fringe. She contrives boredom. “Weren’t you in the [[day count fraction]] break-out session?” | |||
The Negotiator grins. “Actually, —” | |||
He shrugs. “I | “You’re a funny guy. Are you ''[[Following business day convention|following]]'' me?” | ||
He cracks out ol’ *innocent face*. | |||
She looks him up and down. She scoffs, but vibes playful. She runs a finger round the rim of his glass. Their eyes lock again. “O.K., soldier, so you say you were ''[[preceding business day convention|preceding]]'' me?” | |||
He shrugs. “I figured you’d wind up here, so I just made sure I got here first.” | |||
So, you were, ahhh — [[Modified following business day convention|''modified'' following]] me?” | So, you were, ahhh — [[Modified following business day convention|''modified'' following]] me?” | ||
Line 21: | Line 27: | ||
He spits his drink. She pops an olive. The zydeco wails. They get ''close''. | He spits his drink. She pops an olive. The zydeco wails. They get ''close''. | ||
She’s nervous. She bites her lip. She looks about. She ''gasps'' – clocks something, some''one'', over her shoulder. She leans in. She whispers in his ear – her lips touch his lobe. | She’s nervous. She bites her lip. She looks about. She ''gasps'' – clocks something, some''one'', over her shoulder. She leans in. She whispers in his ear – her lips touch his lobe. It’s ''hot''. | ||
“Have you got something for me, big boy?” | |||
He whispers back. His lips touch ''her'' lobe. It’s ''infernal''. | |||
“Well do you want something?” | |||
“Honey, I’ll take ''anything''. No questions asked.” She runs a finger down his gilet. | |||
“Anything?” | “Anything?” | ||
She takes a step back. “Come find me. Come find ''yourself''.” | She takes a step back. That half-cocked smile. “Come find me. Come find ''yourself''.” | ||
“When?” | “When?” | ||
Line 39: | Line 45: | ||
“End of the month. For ''business''.” | “End of the month. For ''business''.” | ||
“End of month — ?” The Negotiator glanced at | “End of month — ?” The Negotiator glanced at his wrist: a Rolodex Perpetual. Top of the range. | ||
“Nice piece.” | “Nice piece.” | ||
Line 47: | Line 53: | ||
She leans in close. Her breath is hot. “Work it out, big boy.” | She leans in close. Her breath is hot. “Work it out, big boy.” | ||
His professional circuits click in fast. It’s the thirtieth | His professional circuits click in fast. It’s the thirtieth: month-end proximate. ''Tomorrow is Saturday''. He tips the ambiguity right off the bat. “Wait: [[Following business day convention|Following]] or [[Modified Following business day convention|Modified Following]]?” | ||
“I like the way you’re thinking,” she says, and winks, and drifts away, on the raging current of sales bullshittery and lofted canapés. “Actually –” | “I like the way you’re thinking,” she says, and winks, and drifts away, on the raging current of sales bullshittery and lofted canapés. “Actually –” | ||
As she floats away she tosses something. The Negotiator snatches it. It’s a room-key. Punched into the plastic: ''HACIENDA 547''. | |||
He turns to look but the ocean’s closing up. | |||
“Wait – what’s your name?” | |||
But she is ''gone''. | |||
Through the chatter, a frail, tight-point whisper, hits him broadside: “I’m [[Marissa Planasset|Marissa]].” | |||
He says it to himself: “''Marissa''.” | |||
A Bus-boy rocks by with bacon-wrapped scallops in newsprint party hats. He leans in casually, as he goes. “Careful with her, sir: She’s an agent.” | A Bus-boy rocks by with bacon-wrapped scallops in newsprint party hats. He leans in casually, as he goes. “Careful with her, sir: She’s an [[Process agent|agent]].” |