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Finance fiction: Difference between revisions
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Just how best to categorise Barkley’s own work has been the subject of much debate: its non-linearity and frequent digressions into the plainly made-up; self-aggrandising fantasy storylines placing thinly autobiographical characters in heroic roles, fits squarely into the [[Fantasty Fi-Fi]] camp; on the other hand dedicated followers point out that this fantasy world is in fact a brutal, painful, shockingly accurate rendition of how the world really is. | Just how best to categorise Barkley’s own work has been the subject of much debate: its non-linearity and frequent digressions into the plainly made-up; self-aggrandising fantasy storylines placing thinly autobiographical characters in heroic roles, fits squarely into the [[Fantasty Fi-Fi]] camp; on the other hand dedicated followers point out that this fantasy world is in fact a brutal, painful, shockingly accurate rendition of how the world really is. | ||
===Film=== | ===Film=== | ||
By 1950 — a feature of the genre is that the time it exists in is in no sense linear — the genre had developed into other formats. A notable early cinematic release was Muriel Repartee’s Z-grade financial disaster movie {{br|The Day of the MiFID}}, its sequel just seven years later, {{br|MiFID 2: Reloaded}} — with a screenplay by [[Barkley]] — and then in 2019 frankly disappointing culmination the trilogy, {{br|MiFID 3D: COVID | By 1950 — a feature of the genre is that the time it exists in is in no sense linear — the genre had developed into other formats. A notable early cinematic release was Muriel Repartee’s Z-grade financial disaster movie {{br|The Day of the MiFID}}, its sequel just seven years later, {{br|MiFID 2: Reloaded}} — with a screenplay by [[Barkley]] — and then in 2019 frankly disappointing culmination the trilogy, {{br|MiFID 3D: COVID Derevolutions}} set in the aftermath of a global pandemic, and shot in anamorphic three-dimensional widescreen, looked beautiful but left critics strangely cold, the consensus being a plainly out-of-ideas [[Muriel Repartee|Repartee]] contradicted the plot of earlier movies and, in a desperate attempt to breathe life into the franchise, relied heavily on superficial special effects in place of properly developed regulatory technical standards. | ||
{{Sa}} | {{Sa}} | ||
*{{Br|The Day of the MiFID}} | *{{Br|The Day of the MiFID}} | ||
* [[Hard fifi]] (as opposed to [[Fantasy fifi]]). | * [[Hard fifi]] (as opposed to [[Fantasy fifi]]). | ||