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Otto Büchstein: Difference between revisions
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{{a|heroes|{{image|Buchstein in Mandalay|png|[[Birgit von Sachsen-Rampton|von Sachsen-Rampton’s]] aching rendition of Büchstein’s final days, in a hallucinogenic stupor, in Mandalay}}}}Apocryphal Austrian playwright. m. [[Birgit von Sachsen-Rampton]]. Headstrong daughter called [[Antagonista Contrariana]]. Wrote a widely ignored philosophical tract, [[Discourse on Intercourse]], which posited that the most fundamental essence of human nature was to form a committee. [[Convenimus ergo es]] — literally, “[[We are meeting, therefore you exist]]”. | {{a|heroes|{{image|Buchstein in Mandalay|png|“''Die letzte Kommission''” (“''The Final Commission''”, also known as ''The Last Patron''), [[Birgit von Sachsen-Rampton|von Sachsen-Rampton’s]] aching rendition of Büchstein’s final days, in a hallucinogenic stupor, in Mandalay}}}}Apocryphal Austrian playwright. m. [[Birgit von Sachsen-Rampton]]. Headstrong daughter called [[Antagonista Contrariana]]. Wrote a widely ignored philosophical tract, [[Discourse on Intercourse]], which posited that the most fundamental essence of human nature was to form a committee. [[Convenimus ergo es]] — literally, “[[We are meeting, therefore you exist]]”. | ||
Known to operate ''sub nom'' [[Jolly Contrarian]], on whom he based his first {{tag|opera}}. It is understood that his character [[Don Iolio Contrario]] from ''[[La Vittoria della Forma sulla Sostanza|Form and Substance]]'' is also loosely autobiographical. | Known to operate ''sub nom'' [[Jolly Contrarian]], on whom he based his first {{tag|opera}}. It is understood that his character [[Don Iolio Contrario]] from ''[[La Vittoria della Forma sulla Sostanza|Form and Substance]]'' is also loosely autobiographical. | ||