Shubtill v Director of Public Prosecutions: Difference between revisions

no edit summary
No edit summary
No edit summary
Line 29: Line 29:
One — the appellant — did not. He exited Room 43, largely unobserved, and at a decent clip. We shall hear more about him shortly.
One — the appellant — did not. He exited Room 43, largely unobserved, and at a decent clip. We shall hear more about him shortly.


In the mean time, the women continued with their shouting. Presently — with curious haste, I am inclined to think — the world’s media representatives arrived, with cameras, cine films, videographs and outside broadcast units. They formed a makeshift press Gallery. Their scrum may have impeded Gallery security — again, a regrettable dearth of evidence on the point — but by all accounts no-one: not the patrons, nor members of the press, nor Gallery staff, made any effort to eject the young women, or even stop them talking. By now, Dame Marjorie contends, they were in any case fastened to the wall securely with Araldite{{Tm}} such that they could not be removed even if one wanted to.
In the mean time, the women continued with their shouting. Presently — with curious haste, I am inclined to think — the world’s media representatives arrived, with cameras, cine films, videographs and outside broadcast units. They formed a makeshift press Gallery. Their scrum may have impeded Gallery security — again, a regrettable dearth of evidence on the point — but by all accounts no-one: not the patrons, nor members of the press, nor Gallery staff, made any effort to eject the young women, or even stop them talking. By now, Dame Marjorie contends, they were in any case fastened to the wall securely with Araldite{{Tm}} such that they could not be removed even if one wanted to.


The young women warmed to their task. The more loquacious of the two was Ms. [[Violet Elizabeth Bott]], of Surrey. She embarked upon something of a monologue.
The young women warmed to their task. The more loquacious of the two was Ms. [[Violet Elizabeth Bott]], of Surrey. She embarked upon something of a monologue.
Line 37: Line 37:
''Sunflowers'' has an estimated value of £72m, so for most people the answer to Ms. Bott’s first question is probably “the art”. That being said, it is not for this court to parse this young woman’s non-sequiturs, perplexing though they are, for she is not the one on trial here. So I shall return to the story, for it is at this point that the appellant returned to Room 43.  
''Sunflowers'' has an estimated value of £72m, so for most people the answer to Ms. Bott’s first question is probably “the art”. That being said, it is not for this court to parse this young woman’s non-sequiturs, perplexing though they are, for she is not the one on trial here. So I shall return to the story, for it is at this point that the appellant returned to Room 43.  


The appellant was by this stage also in possession of soup — chicken soup, as it happens. He had acquired it from a newsagent on the Strand. It seems he found it no harder than had the protesters to spirit materials of vandalism [[calculated]] into the National Gallery.   
The appellant was by this stage also in possession of soup — chicken soup, as it happens. He had acquired it from a newsagent on the Strand. It seems he found it no harder than had the protesters to spirit materials [[calculated]] to be of use in acts of vandalism into the National Gallery.   


Ms. Botts was still mid-harangue when the appellant approached. She barely registered him. But her confederate, a Ms. [[Gwendoline Mary Lacey]], also of Surrey, did. She watched the appellant carefully as he opened his soup tins. She made no attempt to stop him: indeed, the lower court heard in evidence, and was satisfied, that Ms. Lacey applauded. She cried, “Oh, come on!” though, as we shall see, just what she meant by that was open to interpretation.  
Ms. Botts was still mid-harangue when the appellant approached. She barely registered him. But her confederate, a Ms. [[Gwendoline Mary Lacey]], also of Surrey, did. She watched the appellant carefully as he opened his soup tins. She made no attempt to stop him: indeed, the lower court heard in evidence, and was satisfied, that Ms. Lacey applauded. She cried, “Oh, come on!” though, as we shall see, just what she meant by that was open to interpretation.  
Line 49: Line 49:
The appellant was summarily convicted at the London and Middlesex assizes on charges of common assault with an edible weapon: in this case, a pint of tinned chicken soup.
The appellant was summarily convicted at the London and Middlesex assizes on charges of common assault with an edible weapon: in this case, a pint of tinned chicken soup.


The appellant’s grounds for appeal are unusual so I shall take the unusual step of setting it out in full.
The appellant’s grounds for appeal are unusual so I shall set them out in full.


=== Ingredients of the offence===
=== Ingredients of the offence===
The ingredients of common assault with an edible weapon are not set out in the Criminal Justice Act, but from decided cases are clear.  
The ingredients, as it were, of a “common assault with edible weapon” are not set out in the Criminal Justice Act, but from decided cases are clear.  


First, there must be an “assault”. A person commits an assault if he performs an act (which does not, for this purpose, include a mere omission to act) by which he intentionally or recklessly causes another person to apprehend immediate unlawful violence.
First, there must be an “assault”.  


Secondly, it must be with an “edible weapon”. If that assault is conducted by means of aparatus other than by the defendant’s own person or closing covering it, there will be a “weapon”. If that weapon takes the form of consumable biomass, whether liquid or solid or, as in this case, something in between, it may ''prima facie'' be treated as ''edible''. It need not be eaten by, nor even palatable to, the victim.<ref>See ''R v Hemlsley'', in which battery by steamed broccoli was held to constitute assault with an edible weapon notwithstanding the complainant’s allergy to certain varieties of wild cabbage, including broccoli.</ref>
A person commits an assault if he performs an act (which does not, for this purpose, include a mere omission to act) by which he [[Intention|intentionally]] or [[Degrees of liability|recklessly]] causes another person to apprehend immediate ''unlawful'' violence.


Thirdly, there must be apprehension of “immediate violence”. It is clear that violence can include force involving no injury, and we are satisfied that pouring edible biomass over another person, while conscious, would cause that person to apprehend immediate violence in this sense.
Secondly, it must be conducted with an “edible weapon”.  


Lastly, that violence must be “unlawful”. Many interpersonal interactions meet this loose juridical description of “violence” whilst being permitted at law. Consensual interactions. Self-defence. That kind of thing. At this stage, the prosecution must feel it is in the home straight. The complainants, plainly, did not consent to having soup tipped over them. To this enquiry, the fact that they had, minutes earlier, tipped soup without permission over something else is beside the point. Nor was the appellant’s action in self-defence, the defence of another, nor in defence of property: by the time the appellant intervened, the complainants’ attack on the painting was complete. Having glued themselves to the wall, and run out of soup, it would have been plain to a reasonable person that they were in no position to continue it.
Apparatus beyond a defendant’s own person or clothing will be a “weapon”: where it takes the form of consumable biomass, ''prima facie'' it maybe treated as ''edible''. It need not be eaten by, nor even palatable to, the victim.<ref>See ''R v Hemlsley'', in which battery by steamed broccoli was held to constitute assault with an edible weapon notwithstanding the complainant’s allergy to certain varieties of wild cabbage, including broccoli.</ref>


The lower court therefore accepted the prosecution’s case in full, and entered a conviction. The appellant was sentenced to anger management course. The appellant sought leave to appeal, was granted it, and we now fund ourselves gathered together once more.  
Thirdly, there must be apprehension of “immediate violence”.
 
It is clear that violence need not involve injury. We are satisfied that pouring edible biomass over another person, while conscious, would cause that person to apprehend immediate violence in this sense.
 
Lastly, that violence must be “unlawful”.
 
Many interpersonal interactions meet this loose juridical description of “violence” whilst being permitted at law. Consensual interactions; self-defence: that kind of thing. The complainants, plainly, did not consent to having soup tipped over them. To this enquiry, the fact that they had, minutes earlier, tipped soup without permission over something else is beside the point. Nor was the appellant’s action in self-defence, the defence of another, nor in defence of property: by the time the appellant intervened, the complainants’ attack on the painting was complete. Having glued themselves to the wall, and run out of soup, it would have been plain to a reasonable person that they were in no position to continue it. At this stage, the prosecution must feel it is in the home straight.
 
At first instance, it was. The court accepted the prosecution’s case in full and entered a conviction. It sentenced the appellant to attend an anger management course.
 
The appellant sought leave to appeal, was granted it, and we now fund ourselves gathered together once more.  


=== The Appeal ===
=== The Appeal ===
===Appellant’s submissions===
====Appellant’s submissions====
The appellant is adamant that anger formed no part of his motivation for acting. His counsel advances a justification for his actions based not on consent, defence of person or property, much less maintenance of public order, but ''[[licence]]''. His submissions run like this:
The appellant is adamant that anger was no part of his motivation. He justifies his actions not on consent, nor defence of person or property, much less maintenance of public order, but upon ''[[licence]]''. His submissions run like this:
 
Throughout the episode, the complainants struck a tone of ''righteousness''. There is little doubt that is so: indeed, it carried on in their evidence before the lower court, which Ms. [[Violet Elizabeth Bott|Bott]] delivered with the same stridency as she had her lecture at the Gallery.


Throughout the episode, the complainants struck a tone of ''righteousness''. There is little doubt that is so: indeed, it carried on in their evidence before the lower court, which Ms. Bott delivered with the same stridency as she had her lecture at the Gallery.  
Dame Marjorie advanced the striking argument that the complainants’ evident willingness to ''righteously'' pour soup on much-loved public artworks, notwithstanding a clear lack of legal permission, can be generalised to their own personal view that “one may pour soup on, or glue things to, things one finds irritating”.


Dame Marjorie advanced the striking argument that the complainants’ evident willingness to ''righteously'' pour soup on much-loved public artworks notwithstanding a clear lack of permission can be generalised to the view that “one may pour soup on, or glue things to, things one finds irritating”: that, indeed, one may do this without the owner’s consent; indeed, even notwithstanding a binding contractual obligation, in the form of a ticket containing terms of entry, ''not'' to do such a thing. The appellants’ behaviour, Dame Marjorie says, conveyed the complainants’ personal conviction that such behaviour is acceptable and appropriate. The appellants ''licenced'' that behaviour.
Indeed, contends Dame Marjorie, we must impute to the Complainants the attitude that one may do this without the owner’s consent, and even notwithstanding a binding contractual obligation, in the form of a ticket containing terms of entry, ''not'' to do such a thing. The complainants’ behaviour, Dame Marjorie says, conveyed their personal conviction that such ''behaviour is acceptable and appropriate'', such that they cannot now complain if others indulge upon it. The appellants, that is, ''licenced'' that behaviour.


Now, to Gallery patrons, a person who pours soup over a celebrated painting, glues herself to the floor and then embarks upon a monologue of loud, self-righteous non-sequiturs is, on any reasonable account, irritating. And, if she has done a decent job with the glue, stuck. The appellant was a patron of the gallery. His evidence, and we cannot gainsay it, is that he was irritated by the complainants. So he took advantage of the licence they had granted.
It an ancient principle of natural justice, of course, is ''[[nemo dat quod non habet]]'': one cannot give what one does not have. The complainants could not a grant the licence to damage other persons’ property, only their own.  


It is an ancient principle of natural justice that ''[[nemo dat quod non habet]]'': no-one may give what she does not have. The complainants could not a grant the licence to damage other person’s property, only their own. Dame Marjorie tells us the appellant’s soup-pouring licence was confined to the persons of the complainants. He respected the conditions and limits of his licence.
Dame Marjorie tells us the appellant’s licence was confined to the persons of the complainants and he respected it.


The appellant was doing no more than exercising his legal rights. Dame Marjorie referred us to a dictum in the famous case of {{casenote|Board of Inland Revenue|Haddock}} [1930] UL : “it would be a nice thing if, in the heart of the commercial capital of the world, a man could not convey a negotiable instrument down the street without being arrested.”  
Thus the appellant insists he was doing no more than exercising his legal rights. Dame Marjorie referred us to a dictum in the famous case of {{casenote|Board of Inland Revenue|Haddock}} [1930] UL : “it would be a nice thing if, in the heart of the commercial capital of the world, a man could not convey a negotiable instrument down the street without being arrested.”


It would be similarly perverse, Dame Marjorie tells us, if, in the heart of the very same commercial capital, a man could not exercise a licence without being arrested.
It would be similarly perverse, Dame Marjorie reasons, if, in the heart of the very same city, a man could not exercise a licence without being arrested.
===Respondent’s submissions===
====Respondent’s submissions====
Sir Anthony Clunge
Sir Anthony Clunge
===Judgment===
===Judgment===