Template:M intro design System redundancy: Difference between revisions

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{{quote|{{d|High modernism|haɪ ˈmɒdᵊnɪzᵊm|n}}
{{quote|{{d|High modernism|haɪ ˈmɒdᵊnɪzᵊm|n}}
A form of modernism characterised by an unfaltering confidence in science and technology as means to reorder the social and natural world.}}
A form of modernism characterised by an unfaltering confidence in science and technology as means to reorder the social and natural world.}}
 
==1. Data modernism==
[[System redundancy|One of the]] [[JC]]’s pet theories is that western commerce — especially the [[Financial services|part concerned with moving green bits of paper around]] — is deep into the regrettable phase of a love affair with “[[data modernism]]”, a computer-adulterated form of [[high modernism]].  
[[System redundancy|One of the]] [[JC]]’s pet theories is that western commerce — especially the [[Financial services|part concerned with moving green bits of paper around]] — is deep into the regrettable phase of a love affair with “[[data modernism]]”, a computer-adulterated form of [[high modernism]].  


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====Taylorism====
====Taylorism====
None of this is new: just our enthusiasm for it. The prophet of [[data modernism]] was [[Frederick Winslow Taylor]], progenitor of the maximally efficient production line. His inheritors say things like, “[[The Singularity is Near|the singularity is near]]” and “[[Software is eating the world|software will eat the world]]” but for all their millenarianism the on-the-ground experience at the business end of this all world-eating software is as grim as it ever was.
None of this is new: just our enthusiasm for it. The prophet of [[data modernism]] was [[Frederick Winslow Taylor]], progenitor of the maximally efficient production line. His inheritors say things like, “[[The Singularity is Near|the singularity is near]]” and “[[Software is eating the world|software will eat the world]]” but for all their millenarianism the on-the-ground experience at the business end of this all world-eating software is as grim as it ever was.
==2. Time==
==2. Time==
In reducing everything to measured inputs and outputs, [[data modernism]] collapses into a kind of ''[[reductionism]]'', only about ''time'': just as reductionists see all knowledge as being reducible to infinitesimally small, sub-atomic essences — in other words, all laws of nature are a function of theoretical physics — so [[data modernist]]s see socio-economics as reducible to infinitesimally small windows — “frames” — of ''time'': so thin as to be static, resembling the still frames of a movie reel. The beauty of static frames is they don’t move, so can’t do anything unexpected. By compiling a sequence of consecutive frames you can create a “cinematic” ''appearance'' of movement. In this way we replace ''actually'' passing time with ''apparently'' passing time.
====Reductionism about time====
In reducing everything to measured inputs and outputs, [[data modernism]] collapses into a kind of ''[[reductionism]]'', only about ''time'': just as reductionists see all knowledge as being reducible to infinitesimally small, sub-atomic essences — all laws of nature are functions of theoretical physics — so [[data modernist]]s see socio-economics as reducible to infinitesimally small windows — “frames” — of ''time'': so thin as to be static, resembling the still frames of a movie reel.  
 
By compiling a sequence of consecutive frames you can create a “cinematic” ''appearance'' of movement. The beauty of a static frame is that it can’t move or do anything unexpected. In this way we replace ''actually'' passing time — ''three'' dimensional objects projecting backwards and forwards in a ''fourth'' dimension — with ''apparently'' passing time rendered in only ''one'' dimension.<ref>Binary code is linear: it has only one dimension.</ref>


For the computer code on which [[data modernism]] depends does not do ''[[tense]]'': it is, permanently, in the ''present''. The apparent continuity through time vouchsafed by computers is, like cinematography, a conjuring trick: in fact, there is no continuity: we ascribe our own sense of continuity, from our own language, to what we see. Like all good magic it relies on misdirection. The “magic” is all our own. It is odd we are so willing to ascribe to a box the magic in our heads.
For the Turing machines on which [[data modernism]] depends do not do ''[[tense]]''. They are permanently in the ''present''. The apparent continuity through time they vouchsafe is, like cinematography, a conjuring trick: there is no sense of continuity ''in the code'': we ascribe our own sense, from our own natural language, to what we see. The “magic” is not in the machine. It is in our heads.


For existential continuity, backwards and forwards in “time”, is precisely the problem that the human brain evolved to solve: this is the thing that demands continuously existing “things” with definitive boundaries, just one of which is “me”, moving through a spatio-temporal universe, interacting with each other. This is a human construction out of whole cloth. None of this continuity is in the data.<ref>{{author|David Hume}} wrestled with this idea of continuity: if I see you, then look away, then look back at you, what ''grounds'' do I have for believing it is still “you”?  Computer code makes no such assumption. It captures property A, timestamp 1; property A timestamp 2, property A timestamp 3: these are discrete objects with common property, in a permanent present — code imputes no necessary link between them, not does it extrapolate intermediate states. It is the human genius to make that logical leap. How we do it, ''when'' we do it — generally, how human consciousness works, defies explanation. {{author|Daniel Dennett}} made a virtuoso attempt to apply this algorithmic [[reductionist]] approach to the problem of mind in {{br|Consciousness Explained}}, but ended up defining away the very thing he claimed to explain, effectively concluding “consciouness is an illusion”. But on whom?</ref>
For existential continuity backwards and forwards in “time”, is precisely the problem the human brain evolved to solve: it demands a projection of continuously existing “things” with definitive boundaries, just one of which is “me”, moving through spacetime, interacting with each other. None of this “continuity” is “in the data”.<ref>{{author|David Hume}} wrestled with this idea of continuity: if I see you, then look away, then look back at you, what ''grounds'' do I have for believing it is still “you”?  Computer code makes no such assumption. It captures property A, timestamp 1; property A timestamp 2, property A timestamp 3: these are discrete objects with common property, in a permanent present — code imputes no necessary link between them, not does it extrapolate intermediate states. It is the human genius to make that logical leap. How we do it, ''when'' we do it — generally, how human consciousness works, defies explanation. {{author|Daniel Dennett}} made a virtuoso attempt to apply this algorithmic [[reductionist]] approach to the problem of mind in {{br|Consciousness Explained}}, but ended up defining away the very thing he claimed to explain, effectively concluding “consciousness is an illusion”. But on whom?</ref>


[[Data modernism]] does away with the need for time and continuity altogether, instead ''simulating'' it through a succession of static slices — but that continuity vanishes when one regards the picture show as a sequence of still frames.  
Turing machines, and [[data modernism]] that depends on them, does away with the need for time and continuity altogether, instead ''simulating'' it through a succession of static slices — but that continuity vanishes when one regards the picture show as a sequence of still frames.  


But existential continuity is not the sort of problem you can define away. Dealing with history and continuity is exactly the thing we are trying to solve.
But existential continuity is not the sort of problem you can define away. Dealing with history and continuity is exactly the thing we are trying to solve.
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[[Gerd Gigerenzer]] has a nice example that illustrates the importance of continuity.  
[[Gerd Gigerenzer]] has a nice example that illustrates the importance of continuity.  


Imagine a still frame of two pint glasses, A and B, each containing half a pint of beer.<Ref>One that costs more than a fortnight’s subscription to the JC, by the way.</ref> Which is half-full and which is half-empty?  
Imagine a still frame of two pint glasses, A and B, each containing half a pint of beer. Which is half-full and which is half-empty? This static scenario poses an apparently stupid question. It is often used to illustrate how illogical and imprecise our language is. But this is only true if the still frame is considered in the abstract: that is, stripped of its ''context'' in time and space.


Now, imagine a short film in which glass A is full and glass B empty, then a little Cartesian imp arrives, picks up glass A and tips half of its contents into glass B. ''Now'' which is half-full and which is half-empty? We can see that glass A is half-empty and glass B is half-full. ''That history makes a difference''.  
For, imagine a short film at the start of which glass A is full and glass is B empty. Then a little Cartesian imp arrives, picks up glass A and tips half into glass B. ''Now'' which is half-full and which is half-empty? ''That history makes a difference''.  


The first, static scenario poses an apparently stupid question. The second time-bound scenario tells us something small about the history of the world.
The second time-bound scenario tells us something small, but meaningful about the history of the world. The snapshot does not.


=== It’s the long run, stupid===
=== It’s the long run, stupid===