Template:Opco business day convention scene: Difference between revisions

no edit summary
No edit summary
No edit summary
 
Line 5: Line 5:
Stage left: the [[Negotiator]] cuts a track through the hullaballoo. And then sees her. Hullaba-hell''oooo''.
Stage left: the [[Negotiator]] cuts a track through the hullaballoo. And then sees her. Hullaba-hell''oooo''.


The counter scene is chaos. His bar presence is zilch. All the same he catches her eye — ''just''. There’s a flicker and its gone. She looks down. She looks away. She flushes red. ''There'': she steals another look through that tumbling fringe. The Negotiator knows it: ''this'' is the moment.  
The counter scene is chaos. His bar presence is zilch. All the same he catches her eye — ''just''. There’s a flicker and its gone. She looks down. She looks away. She flushes red. ''There'': she steals another look through that tumbling fringe.  


He rams a [[Cayman Island rum cake|Tortuga chaser]]. That bad boy gives him wings. He rocks up. “Is this guy boring you?”
He knows it: ''this'' is his moment.  


The stares straight at him. “Not yet.”
He rams a [[Cayman Island rum cake|Tortuga chaser]]: that bad boy gives him wings. He rocks up. “Is this guy boring you?”
 
She stares straight at him. “Not yet.”


She blows her fringe. She contrives boredom. “Weren’t you in the [[day count fraction]] break-out session?”
She blows her fringe. She contrives boredom. “Weren’t you in the [[day count fraction]] break-out session?”
Line 17: Line 19:
“You’re a funny guy. Are you ''[[Following business day convention|following]]'' me?”
“You’re a funny guy. Are you ''[[Following business day convention|following]]'' me?”


He cracks out ol’ *innocent face*.
He cracks out his *innocent face*. “I was here first —”


She looks him up and down. She scoffs, but vibes playful. She runs a finger round the rim of his glass. Their eyes lock again. “O.K., soldier, so you say you were ''[[preceding business day convention|preceding]]'' me?”
She looks him up and down. She scoffs, but vibes playful. She runs a finger round the rim of his glass. Their eyes lock again. “O.K., so you were ''[[preceding business day convention|preceding]]'' me?”


He shrugs. “I figured you’d wind up here, so I just made sure I got here first.”  
“I figured you’d wind up here, so I just made sure I was in place.” He shrugs. “Call it [[Modified following business day convention|''modified'' following]] you.”


So, you were, ahhh — [[Modified following business day convention|''modified'' following]] me?”
He pops an olive.


He spits his drink. She pops an olive. The zydeco wails. They get ''close''.
She spits her drink.  


She’s nervous. She bites her lip. She looks about. She ''gasps'' – clocks something, some''one'', over her shoulder. She leans in. She whispers in his ear – her lips touch his lobe. It’s ''hot''.
The zydeco wails. They get ''close''. She’s nervous. She bites her lip. She looks about. She ''gasps'' – clocks something, some''one'', over her shoulder.  


“Have you got something for me, big boy?”
She leans in. She whispers in his ear – lips touch his lobe. It’s ''hot''. “Have you got something for me, big boy?”


He whispers back. His lips touch ''her'' lobe. It’s ''infernal''.  
He whispers back. His lips touch ''her'' lobe. It’s ''infernal''. “Well, do you ''want'' something?”
 
“Well do you want something?”


“Honey, I’ll take ''anything''. No questions asked.” She runs a finger down his gilet.
“Honey, I’ll take ''anything''. No questions asked.” She runs a finger down his gilet.
Line 51: Line 51:
“So, tomorrow?”
“So, tomorrow?”


She leans in close. Her breath is hot. “Work it out, big boy.”
“Work it out, big boy,” she says, and winks, and drifts away, upon a raging current of sales bullshittery and lofted canapés. ''[[Actual/Actual|Actually]]'' –”
 
His professional circuits click in fast. It’s the thirtieth: month-end proximate. ''Tomorrow is Saturday''. He tips the ambiguity right off the bat. “Wait: [[Following business day convention|Following]] or [[Modified Following business day convention|Modified Following]]?”
 
“I like the way you’re thinking,” she says, and winks, and drifts away, on the raging current of sales bullshittery and lofted canapés. “Actually –”
 
As she floats away she tosses something. The Negotiator snatches it. It’s a room-key. Punched into the plastic: ''HACIENDA 547''.


He turns to look but the ocean’s closing up.
As she floats away she tosses something. He snatches it. It’s a room-key. Punched into the plastic: ''HACIENDA 547''. She floats away.


“Wait – what’s your name?”
“Wait – what’s your name?”


But she is ''gone''.  
She floats on. Through the chatter, a frail, tight-point whisper, hits him broadside: “[[Marissa Planasset|Marissa]].”


Through the chatter, a frail, tight-point whisper, hits him broadside: “I’m [[Marissa Planasset|Marissa]].
He reaches out but she’s gone, her wake dissolving into an angry sea.


He says it to himself: “''Marissa''.”
He says it to himself: “''Marissa''.”


A Bus-boy rocks by with bacon-wrapped scallops in newsprint party hats. He leans in casually, as he goes. “Careful with her, sir: She’s an [[Process agent|agent]].”
A Bus-boy rocks by with bacon-wrapped scallops in newsprint party hats. He leans in casually, as he goes. “Careful with her, sir: She’s an [[Process agent|agent]].”