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The Well-Crafted Indemnity: Difference between revisions
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[[The Well-Crafted Indemnity]], (BWV 846–893), is a collection of two sets of standard {{t|contract}} [[precedent|precedents]], one covering [[liquidated damages]], the other general [[reimbursement]] obligations, in all [[common law]] jurisdictions, composed for sole practitioner by unsuccessful but persistent librettist [[Otto Büchstein]]. In Büchstein’s time “[[indemnity]]” was a generic term for any kind of possible monetary advantage, however speculative, you might think to claim against the estate of an insolvent counterparty once any prospect of an ongoing revenue stream had dried up. | {{a|myth| | ||
[[File:indemnified.jpg|450px|thumb|center|[[Birgit von Sachsen-Rampton]]’s dramatic depiction of the closing ''Sarabande'' from ''[[The Well-Crafted Indemnity]]]] | |||
}}[[The Well-Crafted Indemnity]], (BWV 846–893), is a collection of two sets of standard {{t|contract}} [[precedent|precedents]], one covering [[liquidated damages]], the other general [[reimbursement]] obligations, in all [[common law]] jurisdictions, composed for sole practitioner by unsuccessful but persistent librettist [[Otto Büchstein]]. | |||
In Büchstein’s time “[[indemnity]]” was a generic term for any kind of possible monetary advantage, however speculative, you might think to claim against the estate of an insolvent counterparty once any prospect of an ongoing revenue stream had dried up. | |||
{{sa}} | {{sa}} | ||
*[[Indemnity]] | |||
*[[Conclusive evidence]] | |||
*[[Otto Büchstein]] and his unusual ouevre | *[[Otto Büchstein]] and his unusual ouevre | ||
*[[La Vittoria della Forma sulla Sostanza]] | *[[La Vittoria della Forma sulla Sostanza]] | ||