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Yngwie Malmsteen paradox: Difference between revisions
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{{A| | {{A|plainenglish|[[File:Yngwie.jpg|thumb|center|[[Yngwie Malmsteen|Yngwie]] yesterday. Ok: yesteryear, at any rate.]] | ||
[[File:Yngwie.jpg|thumb|center|[[Yngwie Malmsteen|Yngwie]] yesterday. Ok: yesteryear, at any rate.]] | }}{{quote| | ||
}}{{ | ''Guitar World'': What happens in the case of a chord like G13? <br> | ||
''TUFNEL'': Okay. This is my other theory: If you're playing that type of music, you shouldn’t be doing it. <br> | |||
''GW'': Shouldn’t be doing the Nigel Tufnel Theory of Music? <br> | |||
If you're playing that type of music, you | ''TUFNEL'': No. You shouldn’t be playing music. <br> | ||
:— Nigel Tufnel, interviewed by ''Guitar World'' Magazine, April 1992}} | |||
music. | |||
: | |||
Also known as the [[Jazz paradox]], the | Also known as the [[Jazz paradox]], the Yngwie Malmsteen {{t|paradox}} addresses this irony: the power technology has to make our lives easier which, when we deploy it, winds up making them ''harder''. | ||
{{Yngwie malmsteen paradox capsule}} | {{Yngwie malmsteen paradox capsule}} | ||
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*[[Reg tech]] and why it is so disappointing — due in part, by analogy, to [[Yngwie Malmsteen]]. | *[[Reg tech]] and why it is so disappointing — due in part, by analogy, to [[Yngwie Malmsteen]]. | ||
{{ref}} | {{ref}} | ||
{{c|Paradox}} | |||