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{{review| | {{a|book review|[[File:Teignmouth Electron.jpg|thumb|Crowhurst’s boat, the ''Teignmouth Electron'' now abandoned on [[Cayman]] Brac]]}}{{br|The Strange Last Voyage of Donald Crowhurst}} —{{author|Nicholas Tomalin}} | ||
[[File:Teignmouth Electron.jpg|thumb|Crowhurst’s boat, the ''Teignmouth Electron'' now abandoned on [[Cayman]] Brac]] | ==Alone, alone, all all alone, alone on a wide wide sea== | ||
This is a wonderful book about a truly remarkable, moving and literally tragic misadventure. I first stumbled across Donald Crowhurst’s story through a terrific Channel 4 feature film, Deep Water, and was so captivated by it that I bought this and another account of the race (fellow competitor Bernard Moitessier’s The Long Way (which, for the record, doesn’t really touch on the Crowhurst story)). | This is a wonderful book about a truly remarkable, moving and literally tragic misadventure. I first stumbled across Donald Crowhurst’s story through a terrific Channel 4 feature film, Deep Water, and was so captivated by it that I bought this and another account of the race (fellow competitor Bernard Moitessier’s ''The Long Way'' (which, for the record, doesn’t really touch on the Crowhurst story)). | ||
The Bard himself could not have scripted a tragedy better than this. Crowhurst, a mercurial but fundamentally unremarkable director of a struggling electronics business, hits upon a means of saving his business and assuring his family’s future: entering (and winning) the 1968 Sunday Times single-handed | The Bard himself could not have scripted a tragedy better than this. Crowhurst, a mercurial but fundamentally unremarkable director of a struggling electronics business, hits upon a means of saving his business and assuring his family’s future: entering (and winning) the 1968 Sunday Times single-handed round-the-world yacht race. | ||
Yes; quite. | Yes; quite. | ||
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The ironies and twists of fate which thereafter play out and force events to their sorry conclusion are so cruel that one can hardly blame Crowhurst for reneging on a lifetime’s atheism and laying his plight at the hands of a malicious (and game-playing) God. The saddest irony of all was the last: Crowhurst, never intending to do anything but come in a respectable but uninteresting last, announces (to add some drama!), that he is closing on the last remaining competitor who, in panic, redoubles his efforts to coax his own damaged, worn out and jury-rigged boat faster, causing it to break up entirely and sink - leaving Crowhurst to win (if he arrives home at all) by default - the one thing he simply cannot afford to do. | The ironies and twists of fate which thereafter play out and force events to their sorry conclusion are so cruel that one can hardly blame Crowhurst for reneging on a lifetime’s atheism and laying his plight at the hands of a malicious (and game-playing) God. The saddest irony of all was the last: Crowhurst, never intending to do anything but come in a respectable but uninteresting last, announces (to add some drama!), that he is closing on the last remaining competitor who, in panic, redoubles his efforts to coax his own damaged, worn out and jury-rigged boat faster, causing it to break up entirely and sink - leaving Crowhurst to win (if he arrives home at all) by default - the one thing he simply cannot afford to do. | ||
Tomalin and Hall’s book, which came out within a year of the original event, is an expertly pieced-together and beautifully written forensic study of the whole awful saga, and charts sympathetically and extensively Crowhurst’s descent into what they assume (plausibly enough to me) to have been a form of paranoid schizophrenia by the end of his life. The relation of Crowhurst’s final plunge into the abyss, and his final burst of energy in recording his cosmic revelation is by turns dreadful and somehow uplifting: here is a hero going out in true Nietzschean style with the psychology of the tragic poet: | Tomalin and Hall’s book, which came out within a year of the original event, is an expertly pieced-together and beautifully written forensic study of the whole awful saga, and charts sympathetically and extensively Crowhurst’s descent into what they assume (plausibly enough to me) to have been a form of paranoid schizophrenia by the end of his life. The relation of Crowhurst’s final plunge into the abyss, and his final burst of energy in recording his cosmic revelation is by turns dreadful and somehow uplifting: here is a hero going out in true [[Nietzsche|Nietzschean]] style with the psychology of the tragic poet: | ||
:“''Not so as to get rid of pity and terror ... but beyond pity and terror, to realise in oneself the eternal joy of becoming - that joy which also encompasses the joy in destruction''” | :“''Not so as to get rid of pity and terror ... but beyond pity and terror, to realise in oneself the eternal joy of becoming - that joy which also encompasses the joy in destruction''” | ||