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Finite and Infinite Games: Difference between revisions
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{{Indent|Dramatically, one ''chooses to be'' a mother. Theatrically one ''takes on the role'' of mother.<ref>Section 15.</ref>}}}} | {{Indent|Dramatically, one ''chooses to be'' a mother. Theatrically one ''takes on the role'' of mother.<ref>Section 15.</ref>}}}} | ||
This is a harder distinction to glom, especially since Carse concedes that during a finite game the action is “provisionally” dramatic, since the players write the script as they go along. But the object of the game is to ''kill'' the drama by making the outcome inevitable. So provisional, and hostile, to drama. | This is a harder distinction to glom, especially since Carse concedes that during a finite game the action is “provisionally” dramatic, since the players write the script as they go along. But the object of the game is to ''kill'' the drama by making the outcome inevitable. So provisional, and hostile, to drama. | ||
=== | ===Poietas=== | ||
A society that wishes to transcend itself and stay in touch with its culture must embrace its | |||
== Original research == | == Original research == | ||