Der Sieg der Form über Substanz: Difference between revisions
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[[File:Robin.jpeg|300px|thumb|[[Don Iolio Contrario]] in a detail from [[Birgit von Sachsen-Rampton]]’s portrait]] | {{a|g|[[File:Robin.jpeg|300px|thumb|[[Don Iolio Contrario]] in a detail from [[Birgit von Sachsen-Rampton]]’s portrait]]}} | ||
[[Otto Büchstein]]’s obscure tragicomic opera ''[[La Vittoria della Forma sulla Sostanza]]''<ref>“[[The Victory of Form over Substance]]”</ref> is an obscure and now largely forgotten portent of the forthcoming mechanization of the enlightened world. It was hampered on premiere by what theatre-goers found to be a plainly fantastical plot, but more critically was wounded by a brace of especially turgid arias either side of the interval. | [[Otto Büchstein]]’s obscure tragicomic opera ''[[La Vittoria della Forma sulla Sostanza]]''<ref>“[[The Victory of Form over Substance]]”</ref> is an obscure and now largely forgotten portent of the forthcoming mechanization of the enlightened world. It was hampered on premiere by what theatre-goers found to be a plainly fantastical plot, but more critically was wounded by a brace of especially turgid arias either side of the interval. | ||