Jeremiah Nuncle: Difference between revisions
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{{a|otto|}}[[Jeremiah Nuncle]], often known simply as “the Nuncle”, is a character in {{otto}}’s opera {{br|Der Kampf um Talente}}: Nuncle is a former stand-up comedian now employed as [[chief of staff]] for [[Triago]], the hapless [[general counsel]] of [[Wickliffe Hampton]], an enormous American bank. He acts as [[Triago]]’s loyal and honest advocate, from which position he can point out the [[Triago]]’s faults, delusions and misapprehensions, as no one else can. Nuncle uses irony, sarcasm, and wit to deliver unpalatable truths to Triago, and also functions as a convenient — and, in {{Buchstein}}’s maladroit prose, characteristically ham-fisted — plot exposition device. | {{a|otto|}}[[Jeremiah Nuncle]], often known simply as “the Nuncle”, is a character in {{otto}}’s opera {{br|Der Kampf um Talente}}: Nuncle is a former stand-up comedian now employed as [[chief of staff]] for [[Triago]], the hapless [[general counsel]] of [[Wickliffe Hampton]], an enormous American bank. He acts as [[Triago]]’s loyal and honest advocate, from which position he can point out the [[Triago]]’s faults, delusions and misapprehensions, as no one else can. Nuncle uses irony, sarcasm, and wit to deliver unpalatable truths to Triago, and also functions as a convenient — and, in {{Buchstein}}’s maladroit prose, characteristically ham-fisted — plot exposition device. | ||
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Revision as of 14:07, 22 October 2022
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The complete works of Otto Büchstein
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Jeremiah Nuncle, often known simply as “the Nuncle”, is a character in Otto Büchstein’s opera Der Kampf um Talente: Nuncle is a former stand-up comedian now employed as chief of staff for Triago, the hapless general counsel of Wickliffe Hampton, an enormous American bank. He acts as Triago’s loyal and honest advocate, from which position he can point out the Triago’s faults, delusions and misapprehensions, as no one else can. Nuncle uses irony, sarcasm, and wit to deliver unpalatable truths to Triago, and also functions as a convenient — and, in Büchstein’s maladroit prose, characteristically ham-fisted — plot exposition device.