Yngwie Malmsteen paradox: Difference between revisions
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{{A|glossary| | {{A|glossary| | ||
[[File:Yngwie.jpg|thumb|center|[[Yngwie Malmsteen|Yngwie]] yesterday. Ok: yesteryear, at any rate.]] | [[File:Yngwie.jpg|thumb|center|[[Yngwie Malmsteen|Yngwie]] yesterday. Ok: yesteryear, at any rate.]] | ||
}}{{pe}}Also known as the [[Jazz paradox]], the [[Yngwie Malmsteen paradox]] addresses this irony: the power technology has to make our lives easier which, when we deploy it, winds up making them ''harder''. | }}{{pe}} | ||
:''Guitar World'': What happens in the case of a chord like G13? | |||
:''TUFNEL'': Okay. This is my other theory: | |||
If you're playing that type of music, you shouldn't be doing it. | |||
:''GW'': Shouldn't be doing the Nigel Tufnel Theory of Music? | |||
:''TUFNEL'': No — you shouldn't be playing | |||
music. | |||
::Spinal Tap's Nigel Tufnel, interviewed by ''Guitar World'' Magazine, April 1992 | |||
Also known as the [[Jazz paradox]], the [[Yngwie Malmsteen paradox]] addresses this irony: the power technology has to make our lives easier which, when we deploy it, winds up making them ''harder''. | |||
{{Yngwie malmsteen paradox capsule}} | {{Yngwie malmsteen paradox capsule}} |