MiFID 3D: COVID Derevolutions: Difference between revisions
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{{a|mifidtrilogy|}}The third and hopefully final instalment of the ''[[MiFID Trilogy]]'' of schlocky B-Grade [[finance fiction]] movies directed by [[Muriel Repartee]]. | {{a|mifidtrilogy|}}The third and hopefully final instalment of the ''[[MiFID Trilogy]]'' of schlocky B-Grade [[finance fiction]] movies directed by [[Muriel Repartee]]. | ||
With a working title of ''ReFit: The Year We Make Amendments'', Set in the aftermath of a [[Covid-19|global pandemic]], ''Derevolutions'' traces the fortunes of [[Annabel Lector]], a non-commissioned [[Chief risk officer|risk officer]] looking for answers when her partner is crushed in the gears of a systematic internaliser and atomised in the [[bid/ask spread]]. The refit of research rules and trade reporting gives her the change she has been looking for. | |||
Shot in anamorphic three-delusional widescreen, the film looked beautiful but left critics strangely cold, the consensus being a plainly out-of-ideas Repartee contradicted the plot of earlier movies and, in a desperate attempt to breathe life into the franchise, relied heavily on superficial special effects in place of properly developed regulatory technical standards. | |||
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*The [[MiFID Trilogy]] | *The [[MiFID Trilogy]] | ||
Latest revision as of 11:35, 30 November 2022
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Finance fiction at the movies™
The cinematic history of our mad world.
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The third and hopefully final instalment of the MiFID Trilogy of schlocky B-Grade finance fiction movies directed by Muriel Repartee.
With a working title of ReFit: The Year We Make Amendments, Set in the aftermath of a global pandemic, Derevolutions traces the fortunes of Annabel Lector, a non-commissioned risk officer looking for answers when her partner is crushed in the gears of a systematic internaliser and atomised in the bid/ask spread. The refit of research rules and trade reporting gives her the change she has been looking for.
Shot in anamorphic three-delusional widescreen, the film looked beautiful but left critics strangely cold, the consensus being a plainly out-of-ideas Repartee contradicted the plot of earlier movies and, in a desperate attempt to breathe life into the franchise, relied heavily on superficial special effects in place of properly developed regulatory technical standards.
See also
- The MiFID Trilogy