83,357
edits
Amwelladmin (talk | contribs) No edit summary |
Amwelladmin (talk | contribs) No edit summary |
||
Line 1: | Line 1: | ||
{{A| | {{A|plainenglish| | ||
[[File:Yngwie.jpg|thumb|center|[[Yngwie Malmsteen|Yngwie]] yesterday. Ok: yesteryear, at any rate.]] | [[File:Yngwie.jpg|thumb|center|[[Yngwie Malmsteen|Yngwie]] yesterday. Ok: yesteryear, at any rate.]] | ||
}} | |||
:''Guitar World'': What happens in the case of a chord like G13? | :''Guitar World'': What happens in the case of a chord like G13? | ||
:''TUFNEL'': Okay. This is my other theory: If you're playing that type of music, you shouldn’t be doing it. | :''TUFNEL'': Okay. This is my other theory: If you're playing that type of music, you shouldn’t be doing it. | ||
Line 8: | Line 8: | ||
::Spinal Tap's Nigel Tufnel, interviewed by ''Guitar World'' Magazine, April 1992 | ::Spinal Tap's Nigel Tufnel, interviewed by ''Guitar World'' Magazine, April 1992 | ||
Also known as the [[Jazz paradox]], the | Also known as the [[Jazz paradox]], the Yngwie Malmsteen {{t|paradox}} addresses this irony: the power technology has to make our lives easier which, when we deploy it, winds up making them ''harder''. | ||
{{Yngwie malmsteen paradox capsule}} | {{Yngwie malmsteen paradox capsule}} |