Template:M intro design no-one reads this

From The Jolly Contrarian
Revision as of 09:55, 15 March 2024 by Amwelladmin (talk | contribs)
Jump to navigation Jump to search

Everyone has a contract until they get punched in the mouth

—With apologies to Mike Tyson

JC, being given to making up social science on the hoof, is working on a theory that when you buy the services of a commercial law firm — and, specifically, when you buy them to make contracts for you — you are not buying the words, or even the underlying legal content that the words express, but a more general beatific peace of mind that comes from hiring clever people. You don’t need to understand the words or concepts, because someone else has done that for you, and they have by their simple presence intimated — but letʼs be clear, they definitely havenʼt told you — that everything will be okay.

This illusion generally lasts as long as no-one subsequently casts a critical, or even analytical, eye over the documents. The moment they do — no one reads legal agreements for the hell of it, so assume they are reading it because they are being paid to pick holes in it — the illusion of comforting certainty vanishes. Critical grammatical operators —words like “not” — will be missing where needed and stubbornly there where not. Square brackets, blobs and placeholders will appear where you dearly wish for certainty. Critical terms will be subject to non-existent subclasses. Carelessly tossed-in boilerplate will ram-raid carefully crafted terms.

And you will find, should the agreement have been in place for years, that since it's execution neither side has paid it the blindest bit of attention. No one insist on, or performs, or even knows about hotly contested conditions precedent. Agreed billing mechanisms and amendment procedures have been ignored. The parties may, quite consensually, have systematically contradicted apparently key tenets of the contract, for years.

Then, suddenly, the relationship hits the rocks, each side seeks legal advice, new counsel comb the contract, and finds a babbling, confused, inchoate hellscape of random words that it is now impossible, except by coincidence, to map to the parties actual dealings with each other.

This is because they delegate this performative act to lab coated specialists who had precious little grasp of the commercial basis at the start of the relationship, have not been involved since and who can hardly be blamed for failing to predict how the relationship developed in the meantime.

To commission a legal contract in this way is to pay good money to buy (or, for all you know, sell) a lucky dip of random, assorted puts and calls, that will only be revealed in case of catastrophe. Your best hope, therefore, is that the relationship continues to flourish, no catastrophe happens, and no one ever looks at the contract again.

Which begs the question: what are you paying for?

The ugly secret of professional practice is that the work product is mostly shoddy, because for the most part, it doesnʼt matter if it is not. Ninety nine percent of contracts are never litigated. This is not because they are flawless. It is because their parties donʼt fall out.

The contract preparation process, to principals, is a thing of sombre mystery. You are not even meant to understand the actual words they send you, and you may cause yourself trouble if you try. It is better just to take general comfort that there are a lot of them, they seem somehow legally sonorous, they are strung together in carefully constructed, if forbiddingly unbroken, slabs, and the battalions of advisors who have gathered on either side of the banquet to pick them over will, by the time they’re serving coffee and warming up the disco, understand it all.

All that skirmishing and sniping must after all do something — it must advance what the respective advisors take to be their clientsʼ interests, however imperfectly they understand them. The same way trenches and battle fronts are meant to thrust and counterthrust, and since the people who wrangle these textual monoliths are part of an educated elite, a kind of emergent wisdom settles upon the project whose net effect by the end of the process — even if you cannot fathom how or why — will be a comforting conviction that everything will generally be okay.

What if this assumption was — wrong?

To be clear this is not merely “I wonder if people buy Big Law to cover their backsides?” Of course, they do. Everyone knows that.

I was getting at the fact that the Big Law work product, when you do read it, is dismal. This is because *it is not designed to be read*.

It is designed to just occupy space. It is like that expanding polystyrene stuff they spray inside internal partition walls for soundproofing.

There is just no craft, no elegance, no design, no architectural panache, no basic economy. It is just this tortured, brutalised, monstrous torrent of dreck, from end to end.

These people are meant to be wizards of language, after all. They should deliver the most beautiful, clear, elegant product.

That they don’t is a kind of final triumph of form over substance.