Maxims for a happy life: Difference between revisions
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*[[Do your talking on the pitch]]. | *[[Do your talking on the pitch]]. | ||
*[[Don’t be that guy]]<ref>If you said, “''or'' girl,” ''you’re being that guy''. ([[and/or]] girl, [[as the case may be]].)</ref>. | *[[Don’t be that guy]]<ref>If you said, “''or'' girl,” ''you’re being that guy''. ([[and/or]] girl, [[as the case may be]].)</ref>. | ||
*[[Let it go]]. In the immortal words of the Eastenders script-writing collective, | *[[Let it go]]. In the immortal words of the Eastenders script-writing collective, “Leave it, Phil. He’s not worth it|LEAVE IT, PHIL. HE’S NOT WORTH IT]].” | ||
*[[Let he who is without sin cast the first stone]]. | *[[Let he who is without sin cast the first stone]]. | ||
*The Devil ''is'' the detail. | *The Devil ''is'' the detail. | ||
Revision as of 12:54, 1 August 2018
Maxims for a happy life.
- Do your talking on the pitch.
- Don’t be that guy[1].
- Let it go. In the immortal words of the Eastenders script-writing collective, “Leave it, Phil. He’s not worth it|LEAVE IT, PHIL. HE’S NOT WORTH IT]].”
- Let he who is without sin cast the first stone.
- The Devil is the detail.
- Perfection is the enemy of good enough.
- It’ll do.
- "Gee, I wish I spent more time in the office," said NO ONE IN HISTORY.
- Try to understand the other guy’s motivation. It's a fair bet it starts with fear.
References
- ↑ If you said, “or girl,” you’re being that guy. (and/or girl, as the case may be.)