Wesley Willis: Difference between revisions
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According to Wikipedia, [[Wesley Willis]] “began a career as an underground singer-songwriter in the outsider music tradition, with songs featuring his bizarre, humorous and often obscene lyrics sung over the auto-accompaniment feature on an electronic keyboard”. | According to Wikipedia, [[Wesley Willis]] “began a career as an underground singer-songwriter in the outsider music tradition, with songs featuring his bizarre, humorous and often obscene lyrics sung over the auto-accompaniment feature on an electronic keyboard”. | ||
In other words, this guy sounds totally like [JC]]’s kind of dude. | In other words, this guy sounds totally like [[JC]]’s kind of dude. | ||
Willis has at least one song which has caught the [[JC]]'s attention already: [[Spank Wagon]], which uses the adjective [[equitable]] imaginatively — in that it doesn't seem to apply it to a [[noun]] of any kind. | Willis has at least one song which has caught the [[JC]]'s attention already: [[Spank Wagon]], which uses the adjective [[equitable]] imaginatively — in that it doesn't seem to apply it to a [[noun]] of any kind. | ||
Latest revision as of 15:53, 14 March 2019
According to Wikipedia, Wesley Willis “began a career as an underground singer-songwriter in the outsider music tradition, with songs featuring his bizarre, humorous and often obscene lyrics sung over the auto-accompaniment feature on an electronic keyboard”.
In other words, this guy sounds totally like JC’s kind of dude.
Willis has at least one song which has caught the JC's attention already: Spank Wagon, which uses the adjective equitable imaginatively — in that it doesn't seem to apply it to a noun of any kind.
Eyes peeled in the bargain bins, dudes. There’s undiscovered gold out there.