Signed, Sealed, Delivered (I’m Yours): Difference between revisions
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*[[Futures]] | *[[Futures]] | ||
*[[Physical settlement]] | *[[Physical settlement]] | ||
*[[Contract of Love]], also by [[Stevie Wonder]], also concerned with formalities of | *[[Contract of Love]], also by [[Stevie Wonder]], also concerned with formalities of [[contract]] formation. | ||
{{ref}} | {{ref}} | ||
Latest revision as of 13:30, 14 August 2024
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Signed, Sealed, Delivered (I’m Yours) by Stevie Wonder
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Perhaps burned by mendacious agents and conniving record companies, Mr. Wonder enjoys discussing formalities of legal contracts in his music, and there is no finer example than his R&B standard Signed, Sealed, Delivered (I’m Yours), which addresses not only exchange traded derivatives but also the formalities of correctly documenting them as obligations under a deed[1].
- We got [a] future, future, baby[2]
- Signed, sealed, delivered, I’m yours
- Here I am, baby, whoa-oh
- (Signed, sealed, delivered) I’m yours
- etc etc etc
See also
- Pop songs and the law
- signed, sealed, delivered — in the sense of the actual legal formalities thereof, rather than their use in a pop song
- Futures
- Physical settlement
- Contract of Love, also by Stevie Wonder, also concerned with formalities of contract formation.
References
- ↑ If that is what you really want to do: let us park for now the uncomfortable fact that one wouldn't normally document ETDs as deeds — that’s a bit of a ninja point and I don't think it’s reasonable to expect a pop star to have that deep a knowledge of the market conventions for ETD. Hardly anyone who works in the industry does, after all.
- ↑ Not clear what the underlying is, though reference to "Here I am Baby" suggests physical and not simply cash settlement.