Disintermediation: Difference between revisions
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The very promise of the digital revolution. A distributed network whose design cleaves to the [[end-to-end principle]] promises its users the ability, never before possessed, to reach one’s clients, friends, relations, countrymen, lovers, fighters, haters | {{A|devil|}}The very promise of the digital revolution. A distributed network whose design cleaves to the [[end-to-end principle]] promises its users the ability, never before possessed, to reach one’s clients, friends, relations, countrymen, lovers, fighters, haters — in short, ''anyone'' — costlessly. Suddenly, a generation of frustrated novelists could publish their ''bildungsromane'' direct to the colossal cruel indifference of a world suddenly drowning in the sodding things, without the reality-dosing filter of a publisher to save them the bother of those wasted months. From nowhere Middle-aged men, resentful of their own profligacy with the productive years of their lives could compose, record, mix, master and distribute their dreary pop songs to the studied indifference of every man-jack on this barren crag of rock, including their own immediate families, not that they’re bitter or anything, and have them at least ''sound like'' real pop music. Suddenly maverick reality TV hosts could hot-wire their self-absorbed political aspirations into the consciousness of a nation, unfiltered by the agency of advertising, or the mediation of a traditional political party. | ||
{{ | For those at the wrong end of the [[agency problem]] — a class of people generally called “[[client]]s” — this seemed for a moment a time of beautiful liberation, until it became clear that the same barrier whose collapse allowed them into the beautiful lush meadow of direct market access allowed ''every other bastard'' in too. This turned said beautiful lush meadow into a [[Tragedy of the commons|tragic]] [[digital commons]].<ref>There wasn’t ''meant'' to be any tragedy in the digital commons, of course. But the scarce resource is not supply-side bandwidth — the good people at Amazon Web Services havev got our backs on that — but demand-side ''attention and money''.</ref> Chris Anderson’s [[The Long Tail: Why the Future of Business Is Selling Less of More|long tail]] morphed into a ghoulish chem-trail of worthless pap that ''no-one'' wanted to buy. | ||
Agents were suddenly back in style again. In finance, As Jane Seymour noted, they never went out. | |||
{{sa}} | |||
*{{br|The Long Tail: Why the Future of Business Is Selling Less of More}} | |||
*[[Agency problem]] | |||
*[[Agency paradox]] | |||
{{ref}} | |||
Revision as of 19:24, 11 January 2021
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The very promise of the digital revolution. A distributed network whose design cleaves to the end-to-end principle promises its users the ability, never before possessed, to reach one’s clients, friends, relations, countrymen, lovers, fighters, haters — in short, anyone — costlessly. Suddenly, a generation of frustrated novelists could publish their bildungsromane direct to the colossal cruel indifference of a world suddenly drowning in the sodding things, without the reality-dosing filter of a publisher to save them the bother of those wasted months. From nowhere Middle-aged men, resentful of their own profligacy with the productive years of their lives could compose, record, mix, master and distribute their dreary pop songs to the studied indifference of every man-jack on this barren crag of rock, including their own immediate families, not that they’re bitter or anything, and have them at least sound like real pop music. Suddenly maverick reality TV hosts could hot-wire their self-absorbed political aspirations into the consciousness of a nation, unfiltered by the agency of advertising, or the mediation of a traditional political party.
For those at the wrong end of the agency problem — a class of people generally called “clients” — this seemed for a moment a time of beautiful liberation, until it became clear that the same barrier whose collapse allowed them into the beautiful lush meadow of direct market access allowed every other bastard in too. This turned said beautiful lush meadow into a tragic digital commons.[1] Chris Anderson’s long tail morphed into a ghoulish chem-trail of worthless pap that no-one wanted to buy.
Agents were suddenly back in style again. In finance, As Jane Seymour noted, they never went out.
See also
References
- ↑ There wasn’t meant to be any tragedy in the digital commons, of course. But the scarce resource is not supply-side bandwidth — the good people at Amazon Web Services havev got our backs on that — but demand-side attention and money.