Signed, Sealed, Delivered (I’m Yours): Difference between revisions
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Perhaps burned by mendacious agents and conniving record companies, Mr. Wonder enjoys discussing formalities of legal contracts in his music, and there is no finer example than his R&B standard [[Signed, Sealed, Delivered]], which addresses not only [[exchange traded derivatives]] but also the formalities of correctly creating documenting them as obligations under a [[deed]]<ref>Let is park for now that one wouldn't normally document ETDs as deeds — that's a bit of a ninja point.</ref>. | Perhaps burned by mendacious agents and conniving record companies, Mr. Wonder enjoys discussing formalities of legal contracts in his music, and there is no finer example than his R&B standard [[Signed, Sealed, Delivered]], which addresses not only [[exchange traded derivatives]] but also the formalities of correctly creating documenting them as obligations under a [[deed]]<ref>Let is park for now that one wouldn't normally document ETDs as deeds — that's a bit of a ninja point and I don't think it’s reasonable to expect a pop star to have that deep a knowledge of the market conventions for [[ETD]]. Hardly anyone who works in the industry does, after all.</ref>. | ||
:''We got [a] [[Futures|future]], future, baby<ref>Not clear what the underlying is, though reference to "Here I am Baby" suggests physical and not simply cash settlement.</ref> | :''We got [a] [[Futures|future]], future, baby<ref>Not clear what the underlying is, though reference to "Here I am Baby" suggests physical and not simply cash settlement.</ref> | ||
| Line 8: | Line 8: | ||
{{popmangle}} | {{popmangle}} | ||
*[[signed, sealed, delivered]] — the actual legal formalities thereof, rather than | *[[signed, sealed, delivered]] — in the sense of the actual legal formalities thereof, rather than their use in a pop song | ||
*[[Futures]] | *[[Futures]] | ||
*[[Physical settlement]] | |||
*[[Contract of Love]], also by [[Stevie Wonder]], also concerned with formalities of {{tag|contract}} formation. | *[[Contract of Love]], also by [[Stevie Wonder]], also concerned with formalities of {{tag|contract}} formation. | ||
{{ref}} | {{ref}} | ||
Revision as of 13:18, 14 March 2019
Perhaps burned by mendacious agents and conniving record companies, Mr. Wonder enjoys discussing formalities of legal contracts in his music, and there is no finer example than his R&B standard Signed, Sealed, Delivered, which addresses not only exchange traded derivatives but also the formalities of correctly creating documenting them as obligations under a deed[1].
- We got [a] future, future, baby[2]
- Signed, sealed, delivered, I’m yours
- Here I am, baby, whoa-oh
- (Signed, sealed, delivered) I’m yours
- etc etc etc
See also
- Pop songs and the law
- signed, sealed, delivered — in the sense of the actual legal formalities thereof, rather than their use in a pop song
- Futures
- Physical settlement
- Contract of Love, also by Stevie Wonder, also concerned with formalities of contract formation.
References
- ↑ Let is park for now that one wouldn't normally document ETDs as deeds — that's a bit of a ninja point and I don't think it’s reasonable to expect a pop star to have that deep a knowledge of the market conventions for ETD. Hardly anyone who works in the industry does, after all.
- ↑ Not clear what the underlying is, though reference to "Here I am Baby" suggests physical and not simply cash settlement.