Der Sieg der Form über Substanz: Difference between revisions

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In [[Puttanesca Rigatoni]]'s exquisite tragicomic opera ''[[La Vittoria della Forma sulla Sostanza]]''<ref>''[[The Victory of Substance over Form]]''<>, argumentative Venetian merchant [[Don Iolio Contrario]] is employed as an operations manager in his father [[Don Figaro Contrario]]'s struggling spice brokerage, where he meets, falls in love with an enchanting and gifted young brokeress [[Iolande Impulsivia]] . His father is obsessed with cost control, and has invested in a  homunculus, a steam-powered computation machine which will take over the role of the brokers.
In [[Puttanesca Rigatoni]]'s exquisite tragicomic opera ''[[La Vittoria della Forma sulla Sostanza]]''<ref>''[[The Victory of Substance over Form]]''</ref>, argumentative Venetian merchant [[Don Iolio Contrario]] is employed as an operations manager in his father [[Don Figaro Contrario]]'s struggling spice brokerage, where he meets, falls in love with an enchanting and gifted young brokeress [[Iolande Impulsivia]] . His father is obsessed with cost control, and has invested in a  homunculus, a steam-powered computation machine which will take over the role of the brokers.


Don Figaro, a vain and stupid man who cares mainly about his legacy and reputation, is anxious to be seen as a great financial innovator. He is exasperated at his son for his errant, romantic, impractical ways.  
Don Figaro, a vain and stupid man who cares mainly about his legacy and reputation, is anxious to be seen as a great financial innovator. He is exasperated at his son for his errant, romantic, impractical ways.  
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*[[Substance and form]]
*[[Substance and form]]
*[[Don Iolio Contrario]]  
*[[Don Iolio Contrario]]  
[[]]  
*[[Outsourcing]]  
[[]]
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