Der Sieg der Form über Substanz: Difference between revisions

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	{{a\|g\|[[File:Robin.jpeg\|~~300px~~\|thumb\|[[Don Iolio Contrario]] in a detail from [[Birgit von Sachsen-Rampton]]’s portrait]]}}		{{a\|g\|[[File:Robin.jpeg\|450\|center\|thumb\|[[Don Iolio Contrario]] in a detail from [[Birgit von Sachsen-Rampton]]’s portrait]]}}
	[[Otto Büchstein]]’s obscure tragicomic opera ''[[La Vittoria della Forma sulla Sostanza]]''<ref>“[[The Victory of Form over Substance]]”</ref> is an obscure and now largely forgotten portent of the forthcoming mechanization of the enlightened world. It was hampered on premiere by what theatre-goers found to be a plainly fantastical plot, but more critically was wounded by a brace of especially turgid arias either side of the interval.		[[Otto Büchstein]]’s obscure tragicomic opera ''[[La Vittoria della Forma sulla Sostanza]]''<ref>“[[The Victory of Form over Substance]]”</ref> is an obscure and now largely forgotten portent of the forthcoming mechanization of the enlightened world. It was hampered on premiere by what theatre-goers found to be a plainly fantastical plot, but more critically was wounded by a brace of especially turgid arias either side of the interval.