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====Is uniqueness really, er, ''special''?==== | ====Is uniqueness really, er, ''special''?==== | ||
The rampant copyability of anything everything in Web 2.0 no doubt prompted the stampede to non-fungibility. ''Authenticity'' is in deep demand: no-one trusts experts anymore. ''Everything'' is ripped off. ''Everything'' is fake. Indubitability — [[certainty]] — is some kind of holy grail.<ref>But see our essay as to why [[doubt]] is no bad thing.</ref> | |||
But does this structural uniqueness — being uniquely, definitively ''not a duplicate'' — bestow some kind of intrinsic value ''in and of itself''? This, perhaps, is the logic that propels cryptocurrency.<ref>It sure seems like false logic but, at the time of writing (16/11/2011), USD1.15 trillion begs to differ.</ref> | |||
We say, “no,” all the above [[Notwithstanding anything to the contrary|notwithstanding]]. | |||
The [[JC]] has a small commonplace book of poems he composed, as a moleish adolescent.<ref>Adrian Mole-ish, or Wind-in-the-Willows Mole-ish, it doesn’t really make a difference. Moleish.</ref> It exists in single copy, in fountain pen ink on cartridge paper, rendered in his youthful, spidery left-handed scrawl. Make no mistake: these are some of the worst poems composed in the history of civilisation.<ref>They would give Paula Nancy Millstone Jennings a run for her money.</ref> Not one has been committed to any other format and nor, if the JC has any say in the matter, will they ever be. They are, thus, utterly unique. | |||
Now: do these ghastly poems have a single iota of ''[[value]]''? Outside their very real extortion potential, they do not. Does their critical ''uniqueness'' change this? It does not. | Now: do these ghastly poems have a single iota of ''[[value]]''? Outside their very real extortion potential, they do not. Does their critical ''uniqueness'' change this? It does not. |