Warteschleifenmusikopfer: Difference between revisions
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One, with an abnormal fear of ''[[späteankunftschande]]'' who has dialed into a [[conference call]] so early — before the moderator — as to have to listen to the [[hold music]]. One with a profound sense of ''[[früheankunftfreude]]''. | One, with an abnormal fear of ''[[späteankunftschande]]'' who has dialed into a [[conference call]] so early — before the moderator — as to have to listen to the [[hold music]]. One with a profound sense of ''[[früheankunftfreude]]''. | ||
===In popular culture=== | |||
''Die Warteschleifenmusikopfer'', (Opus 27, No. 2) was a light-hearted opera by Brecht concerning the plight of ''Iolanthio'', a young [[Mediocre lawyer|paralegal]] at a Belgian investment manager, to dial into a [[conference call]] from a mobile phone while on holiday by the Caspian Sea. It is rarely performed in English. | |||
{{seealso}} | {{seealso}} | ||
Revision as of 15:10, 10 May 2017
One, with an abnormal fear of späteankunftschande who has dialed into a conference call so early — before the moderator — as to have to listen to the hold music. One with a profound sense of früheankunftfreude.
In popular culture
Die Warteschleifenmusikopfer, (Opus 27, No. 2) was a light-hearted opera by Brecht concerning the plight of Iolanthio, a young paralegal at a Belgian investment manager, to dial into a conference call from a mobile phone while on holiday by the Caspian Sea. It is rarely performed in English.