Finite and Infinite Games: Difference between revisions
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===Society versus culture=== | ===Society versus culture=== | ||
===The theatrical versus the dramatic=== | ===The theatrical versus the dramatic=== | ||
{{Quote|Inasmuch as a finite game is intended for conclusion, inasmuch as its roles are scripted and performed for an audience, we shall refer to finite play as ''theatrical''. [...] | |||
Inasmuch as infinite players avoid any outcome whatsoever, keeping the future open, making all scripts useless, we shall refer to infinite play as ''dramatic''. | |||
Dramatically, one ''chooses to be'' a mother. Theatrically one ''takes on the role'' of mother.<ref>Section 15.</ref>}} | |||
===Poeitas=== | ===Poeitas=== | ||
Revision as of 18:10, 15 March 2022
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Finite and Infinite Games: A Vision of Life as Play and Possibility by James P. Carse
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There is so much in this book. Ostensibly, it is an obscure piece of cod philosophy from a religious studies professor in the mid nineteen-eighties. It might well have silted into the geological record as nothing more than that, but it is having a fertile third age: it has been picked up by life-coach to the LinkedIn generation, Simon Sinek, and when minds as luminous as Stewart Brand’s speak reverently of it, it may have life above the daisies for a little while yet. Hope so.
Carse, who died last year, is wilfully aphoristic in his literary style, and this is off-putting.[1] He often says things like:
Of infinite players we can also say that if they play they play freely; if they must play, they cannot play.
Now this is important, but the book would be better — and more scrutable — had Carse taken more time to explain exactly this is meant to mean. That may be why Mr. Sinek has been able to make such hay: that is in a sense the job he has done.[2] But, irony: the job of imaginatively deducing what Mr. Carse meant with his gnomic interventions is a kind of infinite game of its own — one that Mr. Sinek is playing pretty well. So let us join in.
Training versus education
Power versus strength
“A powerful person is one who brings the past to an outcome, settling all its unresolved issues. A strong person is one who carries the past into the future, showing that none of its issues is capable of resolution. Power is concerned with what has already happened; strength with what has yet to happen. Power is finite in amount, strength cannot be measured because it is an opening and not a closing act. Power refers to the freedom persons have within limits, strength to the freedoms persons have with limits.
Power will always be restricted to a relatively small number of selected persons. Anyone can be strong.”[3]
Society versus culture
The theatrical versus the dramatic
Inasmuch as a finite game is intended for conclusion, inasmuch as its roles are scripted and performed for an audience, we shall refer to finite play as theatrical. [...]
Inasmuch as infinite players avoid any outcome whatsoever, keeping the future open, making all scripts useless, we shall refer to infinite play as dramatic. Dramatically, one chooses to be a mother. Theatrically one takes on the role of mother.[4]
Poeitas
See also
References
- ↑ Notably, Carse’s speaking style is much less cryptic and talks he gavve about the infinite game concept are worth checking out. See for example his talk to the Long Now Foundation: Religious Wars in Light of the Infinite Game.
- ↑ The Infinite Game by Simon Sinek (2019) (see here).
- ↑ Carse, §29.
- ↑ Section 15.