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{{a|otto|{{ | {{a|otto|{{wmc|Caspar David Friedrich 031.jpg|''O! Great Yawning Chasm To The New World'' {{vsr|1886}}}}}}{{br|Talentdämmerung}} (lit., “[[twilight of the subject matter experts]]” and subtitled “Der Kampf um Talente” or “[[The Struggle To Attract Talent]]”), is an unfinished opera by winsome Austrian librettist and amateur composer Otto {{buchstein}} intended to be the culminating work in his {{br|Form und Substanz}} cycle. | ||
Never performed in his lifetime, nor for that matter since, a fully-formed script was recovered from his belongings in the opium den in Mandalay where he spent his last, fevered months. | |||
There is some controversy about its provenance: some point to the self-interested work of {{Buchstein}}’s life-long antagonist {{jerrold}}, anxious to boost his consultancy fees. | There is some controversy about its provenance: some point to the self-interested work of {{Buchstein}}’s life-long antagonist {{jerrold}}, anxious to boost his consultancy fees. | ||
===Synopsis=== | |||
==== Act I ==== | |||
It is Venice in the 1890s. A [[Crisp-packet blowing across St Mark’s square|crisp packet]] blows across St Mark’s Square. [[Complicatio]] and [[Regolamento]] hurry to the reception room of the Presuntuosa family having been summonsed by its head, [[Provocatoria Presuntuosa|Provocatoria]], a minor Venetian noble. Complicatio and Regolamento are part of her [[council of counsel]] — a kind of star chamber of her closest advisors — to plan the firm’s survival. | |||
{{dialogue|{{Dkt complicatio introduction}}}} | |||
The mercantile markets are in disarray: there are brigands on the Silk Road, pirates around the Barbary Coast, and the arrival of venal bankers from the New World is threatening the profitability of the Venetian families. | |||
Following an embarrassing upset with the firm’s major client, Archewellgos, the Queen calls in her head banker, Infernalio. | |||
{{dialogue|{{dkt nothing from nothing}} }} | |||
“Our supply of gold ducats, once the envy of the world, is dwindling. I shall hand it over to those of you who can demonstrate their strategy for adapting to the new environment.” | |||
The Queen’s [[counsel council]] comprises: [[Complicatio]], who is responsible for [[Operations|workings of the firm]]; [[Ingrazio]], who looks after the firm’s best [[senior relationship manager|clients]], [[Regolamento]], who is in charge of [[compliance]], and the hapless [[Triago]], who is [[general counsel]]. Also present is [[Jeremiah Nuncle|Nuncle]], the Queen Provocatoria ’s diminutive special advisor — a sort of roving minister without portfolio, and [[Inclusivia Liberatardia]] from the [[personnel]] department. | |||
{{dialogue| | |||
{{dkt division of funds}}}} | |||
[[Ingrazio]], who speaks in [[buzzword]]s, complains that with insufficient quality salespeople to build the franchise bands of roving mercenaries are picking off the firm’s most lucrative trade routes and diverting traditional riches to the Americans. There is but one thing for it: we must pay these roving mercenaries to bring the trade back to our firm! Provocatoria asks Ingrazio where he got the idea from. He got it from McKinsey. | |||
{{dialogue| | |||
{{dkt Ingrazio struggle}}}} | |||
[[Complicatio]], accompanied by his personnel manager [[Inclusivia]], presents his plan to change: a programme to relocate the firm’s operations to [[Proverbial school-leaver from Bucharest|Bucharest]], to outsource those than cannot be transplanted to [[Don Inago Montega]], a local [[celery peddler]] who supplies cheap labour under water-tight [[service level agreement]]s. This, he assures the Queen, will instantly save thousands of ducats. [[Jeremiah Nuncle|Nuncle]] and Inclusivia snipe at each other throughout [[Complicatio]]’s windy speech. Queen Provocatoria asks Complicatio where he got the idea from. He says it was Ingrazio. Provocatoria: And Ingrazio, let me guess? He nods sheepishly and says McKinsey. | |||
{{dialogue| | |||
{{Dkt outsourcing plan}}}} | |||
====The hapeless ganderers==== | |||
The Queen's Ganderers — purveyors of geese products — strike financial difficulties. provoking furore in the court. | |||
{{dialogue| | |||
{{Dkt autumnal humours}}}} | |||
====Pillochio==== | |||
It transpires that [[Pillochio]], former functionary from Complicatio’s division has defected to a new-fangled competitor deploying homunculi | |||
{{dialogue| | |||
{{Dkt pillochio plot}} | |||
}} | |||
====The business with the window==== | |||
{{dialogue| | |||
Enter {{script|Triago}}, {{script|Complicatio}}, {{Script|Regolamento}} and, trailing a way behind them, {{Script|Nuncle}}. <br> | |||
{{dkt windows}} | |||
}} | |||
====Homunculus==== | |||
[[Regolamento]] has acquired a “[[Legaltech|homunculus]]” machine to surveil and ensure compliance with rules and procedures at a fraction of the cost, and with far greater speed and accuracy than humans can do. <ref>There are many aspects of the plot that, in passing, borrow from {{Buchstein}}’s other works, notably ''[[La Vittoria della Forma sulla Sostanza]]'', which featured a similar “Homunculus”.</ref> Queen Provocatoria asks [[Regolamento]] where he got the idea from was it McKinsey, by any chance? No! protests Regolamento. It was from a Conflittio, a secondee in his department — who on further enquiry turns out to have been seconded from McKinsey. | |||
{{dialogue| | |||
{{Dkt regolamenti homunculus}}}} | |||
==== Act II ==== | |||
No sooner has [[Ingrazio]] wasted all the firm’s resources on useless investment bankers, he returns to [[Provocatoria]]. | |||
{{dialogue| | |||
{{dkt latest shower}} | |||
}} | |||
===Highlights=== | |||
Most famous rousing aria, accompanied by the string section playing “[[piccolino|piccolini]]” — literally, “tiny violins”; shortened violin-type instruments specially-designed by {{buchstein}} for this opera<ref>An idea later taken up by, among others, Wagner, who invented his own “[https://en.wikipedia.org/wiki/Wagner_tuba Wagner Tuba]” for the Ring.</ref> — comes when Prepostero, senior managing partner of [[magic circle law firm|Magic Circle]] firm ''Slaughter Cowards Later'' stands upon a white cliff overlooking jagged rocks of the tempestuous ocean between Albion and the New World, shaking his fists and wailing into the chasm: | |||
It is more beautiful in the original Italian, so we set that out in full, with a translation below. | |||
{{quote| | {{quote| | ||
Line 18: | Line 74: | ||
Segna le mie parole! Ascolta quello che ho da dire! <br> | Segna le mie parole! Ascolta quello che ho da dire! <br> | ||
Questo sarà un catalizzatore per più movimenti laterali <br> | Questo sarà un catalizzatore per più movimenti laterali <br> | ||
< | }} | ||
<div class="italic">{{quote| | |||
“O, Fate, with your unfortunate swings and errors of outrageous currency <br> | |||
You have cast me into the abyss of despair! <br> | You have cast me into the abyss of despair! <br> | ||
I am unloved! I am desolate! <br> | I am unloved! I am desolate! <br> | ||
Line 29: | Line 87: | ||
Gods, crack your cheeks! Mark my words! <br> | Gods, crack your cheeks! Mark my words! <br> | ||
Heed what I have to say! <br> | Heed what I have to say! <br> | ||
This will be a catalyst for more lateral moves”<br> | This will be a catalyst for more lateral moves”<br>}} | ||
</ | </div> | ||
===The “More With Less” Aria=== | |||
Another memorable moment is when Prepostero, having been told by his major client’s [[general counsel]], [[Triago]] that the firm’s reserves are depleted and he will have to economise on external legal spend. Triago protests but Prepostero peremptorily snuffs out the candles and exits his client’s chamber with these harrowing words: | |||
{{dialogue| | |||
{{dkt salty bills}}}} | |||
He spits, before leaving poor [[Triago]] distraught on the floor, from where he embarks on the beautiful, lachrymal aria ''Dovremo Solo Fare Di Più Con Meno'' (“We shall just have to do more with less”) only to be interrupted by the court jester Nuncle, listening from a nearby window, who snipes sardonic rejoinders to each of [[Triago]]’s complaints. | |||
{{dialogue| | |||
{{More with less aria}}}} | |||
{{ref}} | {{ref}} | ||
{{c| | {{c|Form und Substanz cycle}} |
Latest revision as of 08:12, 30 September 2024
The complete works of Otto Büchstein
|
Talentdämmerung (lit., “twilight of the subject matter experts” and subtitled “Der Kampf um Talente” or “The Struggle To Attract Talent”), is an unfinished opera by winsome Austrian librettist and amateur composer Otto Büchstein intended to be the culminating work in his Form und Substanz cycle.
Never performed in his lifetime, nor for that matter since, a fully-formed script was recovered from his belongings in the opium den in Mandalay where he spent his last, fevered months.
There is some controversy about its provenance: some point to the self-interested work of Büchstein’s life-long antagonist Sir Jerrold Baxter-Morley, K.C., anxious to boost his consultancy fees.
Synopsis
Act I
It is Venice in the 1890s. A crisp packet blows across St Mark’s Square. Complicatio and Regolamento hurry to the reception room of the Presuntuosa family having been summonsed by its head, Provocatoria, a minor Venetian noble. Complicatio and Regolamento are part of her council of counsel — a kind of star chamber of her closest advisors — to plan the firm’s survival.
SCENE I. Venice. A street.
Enter Complicatio, Regolamento and Inclusivia, trailed by the Queens’ fool Nuncle.
Complicatio: In sooth, I know not why it is so hard:
These cursed rules confront our peaceable comportment.
But wherefore didst our meddling framers of our rules
Promulgate such screeds of wordsome bluster?Nuncle: We can only wonder.
Complicatio: What manner of man comprehends this spidery realm?
“Shall be obligated to effect this”, “in the event of that ”
“and, as the case may without limitation be, or, the other” —
Yegads! What lacks from “must” and “if” and “or” and simple fare alike?Regolamento: Let salving such bewilderment be mine Earthly quest.
Pray, friend: toss your troubled load upon my empty lot
Whereupon shall I guide that weight —Nuncle: — and clip thy shabby ticket as you go —
Regolamento: — o’er your sea of angry incongruity.
Aye, these are beastly rules, beset with bastard expectations
Which o’erpeer the machinations of thy scattered petty staff.
Let handling this be Complicatio’s meat and drink.
Nuncle: And deeply drink thy countless charges will,
In obedient curtsy to this web of wonkish recipe.Inclusivia: Slavish compliance would all be good and well.
Had not the predating force of contrary commerce moored its fleet
In easy pelting distance of our present comfy realm.
Complicatio: How now? Who goes there? Which boats?
Mean you not the mewling flannel peddlers of Luxembourg and France?
Fie upon thy windy malconfidence! We shall have them for their lunch-adoring breeches.Inclusivia: The lowmen, aye, but fiercer yet the foes who eye our patch
From ’cross the ditch. New-worldsmen make landfall beyond the city gates.
As do those doughty wizards from the tigerish Eastern lands
O’er whom short years ago this storied house had dominion
Form up their aquatic configurations and negotiate their IOUs. That is my hunch.
Nuncle: I.O. double U: They learned our tricks and ate our lunch.
Enter Provocatoria
Provocatoria: How now, Complicatio. How fares thy P and L?
Complicatio: Flat, my lady.
The mercantile markets are in disarray: there are brigands on the Silk Road, pirates around the Barbary Coast, and the arrival of venal bankers from the New World is threatening the profitability of the Venetian families.
Following an embarrassing upset with the firm’s major client, Archewellgos, the Queen calls in her head banker, Infernalio.
Provocatoria: Now, our joy,
Although the last, not least; to whose young leverage
Thine holdings in thinly traffick’d names, rich in outrageous voguery
Did bunch, distil, concentrate and conspire their margin lenders yet to o’er-extend;
How fared thy numbers, Sirrah? What can you say?
Will a grimace itself engrave upon that storied countenance? What did you lose? Speak.Infernalio: Nothing, my lady.
Provocatoria: Nothing?
Infernalio: Nothing.
Provocatoria: Nothing will come of nothing, fair squidly vampire: speak again.
“Our supply of gold ducats, once the envy of the world, is dwindling. I shall hand it over to those of you who can demonstrate their strategy for adapting to the new environment.”
The Queen’s counsel council comprises: Complicatio, who is responsible for workings of the firm; Ingrazio, who looks after the firm’s best clients, Regolamento, who is in charge of compliance, and the hapless Triago, who is general counsel. Also present is Nuncle, the Queen Provocatoria ’s diminutive special advisor — a sort of roving minister without portfolio, and Inclusivia Liberatardia from the personnel department.
Provocatoria: Meantime we shall express our darker purpose. I am tired.
Nuncle, pass the deck. Know this my council:
My departing wish: this house must hold its nerve.
Wherefore I divide, in quarters, all of its reserves.
Conferring them upon some younger lance, while I
Unburden’d crawl toward my place in France.
I have made this hour a will to put the firm
In firmer hand and stouter head than mine.
Is there one among you who can forsooth attest
To an acumen so sharp to shave the chin
Or cut the lunch of those cur-struck brigands from the west?
Thou art my likeliest inheritors. Who shall make it right?
Is there one or two who, perchance between you
Has both the stomach and the wisdom for the fight?Nuncle: Now steady, here, my lady liege: one hears it oftly said:
One head per pair of shoulders is enough
Less than one a lack, for sure
But no less a lack there is if there is more.Provocatoria: What mean you, Fool? Your riddle stays unspun.
Nuncle: One head’s a head ahead: co-heads are none.
Provocatoria: Must co-operation e’er be seen a fudge?
Nuncle: So try it, ma’am: you be the fool, and I the judge.
Provocatoria: And here to be answer’d. Tell me, my lords:
Should I divest my mandate to a worthy heir
Which heir was you: what wouldst be your best idea?
How wouldst you drive our sweetened chariot to the sun?
What wouldst you scheme to make the rabbits run?
He, or she, or they, who enthrall mine eyes:
Shall with royal leave possess our frittered prize. Speak.
Ingrazio, who speaks in buzzwords, complains that with insufficient quality salespeople to build the franchise bands of roving mercenaries are picking off the firm’s most lucrative trade routes and diverting traditional riches to the Americans. There is but one thing for it: we must pay these roving mercenaries to bring the trade back to our firm! Provocatoria asks Ingrazio where he got the idea from. He got it from McKinsey.
Ingrazio: Whereupon, going for’ard, in deliv’rance of client excellence
Our solutions can and shall and must and will
Across the piece and on, or off, the piste be best in classNuncle: Ma’am I do believe he’s piste!
Triago: (Aside) At very least, an arse.
Ingrazio: Our multi-touchpoints deign a seamless urge
Relentlessly to drive high-class returns
Across our sacred franchise and, net net,
This th’ gulfing delta b’twixt ourselves
And those who would intrude upon our mark’t share.
That our qualities are deep, they do not care.
In pairing hot ambition and a lofty sweep
Across the product landscapes, lo! They creep!
For this, milady — ’tis the crunch:
Spare no investment, lest they eat our lunch.Provocatoria: What doth he say? What is this talk?
Nuncle: He wants more money, Queenie, or he’ll walk.
Provocatoria: Your speech o’erflows with epigrams I scarce can fathom
These pearly slogans buzz and flap and whine with contrivèd learning.Ingrazio: I am, my liege, obliged.
Provocatoria: Be assured: ’tis naught of praise.
Why do you babble so, Ingrazio? Your vocabulary was ne’er before
So thin of meat but yet so fat with dry bewilderment.Nuncle: It’s a mode of discourse, as they say —
Amongst those who claim learning by M.B.A.Provocatoria: Is that your counsel, Ingrazio?
Shrill baubles wrought from mast’ry of administration?
Thy mealy couplets betray just such a whimsy.
Didst thy stanzas come from foundries of McKinsey?Ingrazio: I am undone, I must confess.
That very firm it was, My liege:
How did you guess?
Complicatio, accompanied by his personnel manager Inclusivia, presents his plan to change: a programme to relocate the firm’s operations to Bucharest, to outsource those than cannot be transplanted to Don Inago Montega, a local celery peddler who supplies cheap labour under water-tight service level agreements. This, he assures the Queen, will instantly save thousands of ducats. Nuncle and Inclusivia snipe at each other throughout Complicatio’s windy speech. Queen Provocatoria asks Complicatio where he got the idea from. He says it was Ingrazio. Provocatoria: And Ingrazio, let me guess? He nods sheepishly and says McKinsey.
Complicatio: My division’s damned, by unfunny fate
To live unloved upon the ledger. We are but cost.
’Tis the rust and stain and curse of clammy gears
That require a ruinous peopling.
We’ve cut our cloth as best can do
But these myriad needed grunts, though housed in meagre lairs
Kept safe and well away from clientry, are yet a weight.
Each speaks the fractious tones of jargoned tongue
Such patter steep’d, til cup is cold, in leaves of dismal science.
Each a different dismal one, his language apt to smother.Nuncle: We understand them not. Nor do they one other.
Inclusivia: “His”?
Complicatio: Pray forgiveness, Lady Inclusivia. Hers as well.
Inclusivia: And theirs.
Complicatio: Aye, them too. Yea, this is our strife: this bewild’ring ’scape
Of contraptions yoked and tethered as a many gender’d beast —
Upon whose discombobulating backs our common fate depends.
And, O! Dilemma! The very men who work these chainèd cranks —Inclusivia: Men? Just men?
Complicatio: Oh! and women — and those unsure, or curious, or as yet unaligned—
Queen: The heavens doth anoint!
Complicatio: Milady?
Nuncle: Pray, spare your testy conjugation:
Their majesty doth get the point.Queen: It is a pretty speech so far. But has it any meat?
Inclusivia: Or leguminous alternatives.
Complicatio: I — we — they — am and are and are obliged.
They whose allied cadence powers our truck —Queen: The dismal ones?
Complicatio: Aye them, with all their rancour —
By their inevitable heft, they play as weighty anchors.Nuncle: “Weighty anchors”? None call the Reverend Spooner!
Queen: There are eighty of these dismal scientists?
Nuncle: More like eight hundred —
Complicatio: Eager but, yegads, inconstant. Oafish! Fickle! Slow!
I wouldst speed my rate of stroke, only worser comes with sooner.
And so, my liege, my battle plan: we set these Morlocks free.Queen: To do what?
Inclusivia: To see out their best and carefree lives, unchained of drudgery.
Uninjured by liv’d experience: happy, unstress’d — full, fair and abundant.Nuncle: In other words, less gently put, they’ll make the lot redundant.
Complicatio: Thus, unbound by work-to-rule, we’ll drive the train
Around the clock, without relent
Night; day; rain; hail or shine — e’en upon the Sabbath.Queen: Our crankshafts pedal not themselves, Complicatio.
You’ve said you’d let your experts go, so
Who shall turn thy grimy wheels, without fault or favour, food or rest?Complicatio: You can hire them by the score in Bucharest.
They are legion: all thifty, keen and swift.Queen: But unpossessed of needed knowhow that, by rank and yank, you sent away?
Complicatio: There are certain merchants, Ma’am whose special skill
Lies in collating squads of fruity youths, fresh harvested from school
And putting them at our bespoke disposal.
They bone them up upon our musty almanacks —
Service catalogues, hymn-sheets, psalters, taxonomies and the like
And see them train’d, at pace, to keep to and stay upon our message.Queen: What is this “special skill” whereof you speak?
To coach a bunch of wet-eared boys —Inclusivia: — and girls, and grades between —
Queen: — to outperform our veterans? It sounds to us like sorcery.
Nuncle: “Outsourcery”, they call it. An amiable conjury,
Well-known to bewitch a gawping treasurer.Complicatio: ’Tis more than cheeky sleight of hand, my liege.
Nuncle: ’Tis not. You’ll see. The logic’s flimsy.
Complicatio: ’Tis tried, tested and pronounced a win
By no lesser than McKinsey.
The hapeless ganderers
The Queen's Ganderers — purveyors of geese products — strike financial difficulties. provoking furore in the court.
Queen: (Wildly waving a sheaf) Black news! Black news!
The Mercantile Anserine Trading Co, Pty Ltd.
Who purveys our favourite geese —Ingrazio: What of it, Ma’am? ’Tis assuredly
A most heartily-endow’d incorporation:
Well-skilled in varied means of gandery.
Its full-filled trouser does no little filip to our ends:
We have, a-desk, a fecund inventory
Of its juridical indentures, and besides
A client ledger swole with hedgèd bets
A skein, ahem, of aleatory contingencies
By which the saucy gand’rers recompense us.Nuncle: (Regarding the sheaf) ’Tis too bad, then, dear Ingrazio:
Herewith, grim tidings.Ingrazio: Oh?
Nuncle: It seems thy favourite flockery
Hath turn’d its webbèd toes askance the sky.Ingrazio: (Shocked) You what? How so? How so! What is ’t?
Nuncle: A creditors’ petition to sequestrate the goosers’ plant.
Queen: Black news! Oho!
Enter Triago, ignorant of the foregoing
Triago: Why, Majesty! Let not thy dread a-weight the regal brow
More brusquely than thy splendoured diadem!
O, Queen! Let not autumnal humours bring thee low.
Pray, Madam: allow my song.Triago produces a piccolino from his cloak and begins to play.
Queen: (Sotto voce) By Homer’s stick! Who let him in?
Ingrazio: ’Tis not the season that rends the royal jams, dear Trig:
But the harvest that it brings. Put away thy tiny fiddle, sir
’Ere her majesty so commands.Nuncle: Or brains you with ’t.
Ingrazio: Bankrupt? The goosers? It cannot be!
Queen: Must the rigid struts of precedent
That fix our covenantry as stars
To the very velvet firmament
So dissolve, upon one distemper’d prayer?
Must our claim, short days ago as bankable
To visor’d men who tabulate exposures
As a helm to sconce in battle —
Now so meekly dissipate, as tissue i’ the rain?Nuncle: If wettened claims were but thy problem.
Queen: What mean you, fool?
Nuncle: Thy claims make bitter pennies
Of what once were sweetened pounds, ’tis so
But less so thy extant liabilities. They yet stand
And keep their stout and craggy shape.Ingrazio: Pish! Doth one not cancel t’other
By the golden sorcery of offset?Nuncle: Alack: that happy magic is abruptly stayed:
Th’administrstor’s deeper conjury sees to ’t:
The fundamental order of the world’s abeyed.
And yet the woe is more: the curvèd shape
Of lexical geometry conspires to hold us dangled:
Alive, yet unempower’d, while all about
The tempest runs unchecked this next rude fortnight.Ingrazio: Cans’t thou make it simpler, boy?
Nuncle: As simple as ’t may be made, not simpler:
The petition may be put aside, or resiled
It may yet expire: we knoweth not for half-a-month.
If “yea”, we carry on, with hopeful heart —
’Twas but a freighted dream, unspun upon the waking.
If “nay”, the spectral wraith outlives the night:
We are alive wi’ it. We are a-loss, not now, but then:
As at the beat said prayer was laid — nay, one beat prior.
The body’s dead and two-week stiff,
O’er raked by public hands
Afore we lodge our deposition.Queen: Mark our wither’d arm, boy:
Lest our allotted time
Along these salted strands, and
Beneath the teeming feathered roils
That drench this sad allotment
Taper down.
Triago: We are dying, French Guyana, dying!
Nuncle: Let us not be too dramatic.
Pillochio
It transpires that Pillochio, former functionary from Complicatio’s division has defected to a new-fangled competitor deploying homunculi
Pillochio: Thou art a fool, but know’st it not:
Thy hawkish overestimations
Of thine picklish acme
Lie as thinly ’cross the loaf
As a board-house scrape of butter[1]
When served afore a banquet.
Best check thy tumid speech
Lest good Doctor Dunning prick his ears.Nuncle: I am a fool, by trade, and surely know’t:
Herewith my coxcomb: it might suit thee.
Who glibly pleads the hitch
Of own-wisdom misreflected
To win — nay, in lieu of —
A trifling argument
Is a man who looks a-mirror
And, liking what he sees
O’erlooks the chasing hounds of irony.Pillochio: Ho! Ho!
The business with the window
Enter Triago, Complicatio, Regolamento and, trailing a way behind them, Nuncle.
Triago: Herewith, hereinafter and hereinbefore-confirmed:
A custom aperture. Wall-inlaid,
Well-glazed and fringed by lintel stone.
A device to shed upon us light!Regolamento: Oh, a window?
Triago: Good heavens, No! Not that!
(Whispering) There are ways and means of saying ’t, ser —
Prithee, gird thy verbiage about with care
Lest th’Exchequer’s like for “levies upon transparency”
Untimely drains th’excess from our meagre chancelry—
Catcheth thou the drift?
Regolamento: It is not a window, then? These sound like solid facts?
Nuncle: ’Tis not so much a window
As a means of dodging tax.
Homunculus
Regolamento has acquired a “homunculus” machine to surveil and ensure compliance with rules and procedures at a fraction of the cost, and with far greater speed and accuracy than humans can do. [2] Queen Provocatoria asks Regolamento where he got the idea from was it McKinsey, by any chance? No! protests Regolamento. It was from a Conflittio, a secondee in his department — who on further enquiry turns out to have been seconded from McKinsey.
Queen: Good Regolamento. Your ornery battalion grows apace.
Why so many hands aligned in defensive form,
When ill-conduced to aid our onward march?Regolamento: Th’untended thatch of shin-tangling rulery sleepeth not.
Slim principles of good behaviour — short days ago, a waxing star
Play out their scenes as half-recollected dreams.
O, happy reverie! Was there e’er so sweet a time?
Was compliant life so fair? Who knew what glinting jewels we held!
Jewels once, but crush’d to charcoal in our hands.Queen: Doth mere statutory obeisance bring you low?
Nuncle: Not so low he couldn’t raise an army, liege.
Regolamento: ’Tis true: the count of heads giv’n to policery is fat —
But knotted perimeters o’erlap and contradict.
Bossy strictures grind upon our chasest industries
Our smallest act hemmed in by rainbow rules of ill-scop’d application.
Ours not to make reply nor reason why —
Ours to but be silent and, sans fuss, comply.Queen: What causeth this?
Regolamento: The ropish scars of distant misadventure
Give the fib to saintly visage.
The watchers’ shrill response to past imprudence:
This misbegotten step, that ill-timed grapple
Each wormy bite we take of rotten apple — each one marks us deep.
If harmed or just abash’d, some fuss-pot regulators’ soon at hand
To apportion reprimand. And soon thereafter to encode
In cryptic ciphers fresh directives which, thereafter, heInclusivia: Or she.
Regolamento: Or she — or they — abstain from explication,
But fix confusing rules in stone and thereby codify.
We know not whereof they mean: it might be stop, it might be go.
No further light forthcomes about. We imagine neither do they know.Queen: Canst thou not obtain a ruling?
Nuncle: A worthy thought. A pretty feeling.
And ask them, while you’re there, to nail your jelly to the ceiling.
Th’official who binds his fate to instruments unfathom’d
E’en if his own, is a rare and special bird.Regolamento: We take our bitter medicines
E’en while we let this gleaming engine stack silt up
As like a discarded hulk, half-buried in the mud at Tilbury
In that rich and loamy sod low stunted shrubs
Whose thorny limbs the squalling wind doth shriek.
We set our team with adze and axe and secateurs
They hack at growling branches who mandate
This matchèd trade, that time-stamp, some other reckoning of pedantry.
But it is a labour more riskful then rewarding.
Act II
No sooner has Ingrazio wasted all the firm’s resources on useless investment bankers, he returns to Provocatoria.
Ingrazio: Good Queen, your humblest servant is beset around
By fiendish trials of others’ making.
Our staff are alive with fury.Queen: How so?
Ingrazio: The antics of these o’er paid hirelings
Whose fancy pantaloons sing songs of uncommon luck
Unearnèd and not deserving
In the minds of thy rankling loyalists.Queen: I see their point, Ingrazio:
Your new privateers have shown good skill
From hand to mouth with our meat and drink,
But less adeptness with the shoulder.
For all your talk of growing pies
They do a fine job making smaller.Ingrazio: I am, my liege, obliged
For your accommodation of my point.Queen: To a point, Lord Ingrazio, to a point.
Ingrazio: M’lady surely sees the problem?
Queen: That she does, and who’s its owner.
He stands afore me.Ingrazio: What’s mine is yours, my liege —
Queen: Aye, but only as a second-loss.
Yours first, good sir.
Now: what is thy petition? Speak it quickly.Ingrazio: My loyal men grow restive!
We must apace reward their patient service
’Ere, with disjointed snout, they quit the field—nuncle: —Pasture, methinks, Ingraz.
And none more green —Ingrazio: —And leave thy majestic shores
Bare guarded by these interloping halfwits!Queen: We must what?
Ingrazio: We must compete! Raise their pay!
This daily war for talent is intense.
The necessary investment is immense.Queen: Gah! Who is this fellow?
Nuncle: Cometh not the man, cometh yet the hour.
Queen: We cometh not down in the latest shower.
Highlights
Most famous rousing aria, accompanied by the string section playing “piccolini” — literally, “tiny violins”; shortened violin-type instruments specially-designed by Büchstein for this opera[3] — comes when Prepostero, senior managing partner of Magic Circle firm Slaughter Cowards Later stands upon a white cliff overlooking jagged rocks of the tempestuous ocean between Albion and the New World, shaking his fists and wailing into the chasm:
It is more beautiful in the original Italian, so we set that out in full, with a translation below.
Oh, Fato, con le tue sfortunate oscillazioni ed errori di valuta scandalosa
Mi hai gettato nell’abisso della disperazione!
Non sono amato! Sono desolato!
Come posso cambiare le mie bollette senza valore
Per servizi giuridici di alto livello nel nuovo mondo?
Oh, fato, mi schiacci!
La guerra per il talento era già dura
Ma tu pesista nel renderlo più difficile!
Questo si aggiunge a quello che era già un ambiente difficile.
Dei, schioccati le guance!
Segna le mie parole! Ascolta quello che ho da dire!
Questo sarà un catalizzatore per più movimenti laterali
“O, Fate, with your unfortunate swings and errors of outrageous currency
You have cast me into the abyss of despair!
I am unloved! I am desolate!
How can I exchange my worthless bills
For top-tier juridical services in the new world?
O, Fate, you crush me!
The war for talent was already tough
But you must pesist in making it harder!
This adds to what was already a challenging environment.
Gods, crack your cheeks! Mark my words!
Heed what I have to say!
This will be a catalyst for more lateral moves”
The “More With Less” Aria
Another memorable moment is when Prepostero, having been told by his major client’s general counsel, Triago that the firm’s reserves are depleted and he will have to economise on external legal spend. Triago protests but Prepostero peremptorily snuffs out the candles and exits his client’s chamber with these harrowing words:
Prepostero: Whose hand controlleth the whip, Triago?
Surely, think’st not thou that it is thee?
Mend thy juridical footsteps. Re-cut your cloth.
Remember who approves your salty bills:
It is me.”
He spits, before leaving poor Triago distraught on the floor, from where he embarks on the beautiful, lachrymal aria Dovremo Solo Fare Di Più Con Meno (“We shall just have to do more with less”) only to be interrupted by the court jester Nuncle, listening from a nearby window, who snipes sardonic rejoinders to each of Triago’s complaints.
Triago: When the master says, “Thou shalt do more”
I am thus obliged: I shall do more:
For legal art is the whole of the law.
And when he says “thou shalt take less”
It is the same: less shall I take.
With crumbs and crusts do shall I make.Nuncle: Whose legal income’s stretched so thin
To play so small a violin?Triago: Oh manifold skill! Flow like a stream
About the smooth stones of demand!
Collaboration? Oh, blast my eyes!
How we strive to operationalise
But how to vouchsafe service deliv’ry
With fewer dressed in legal livery?
What wouldst thou give for this old rope?
A measley mill or two?Nuncle: You’ll cope.
Triago: Oursource! Rightshore! By this peroration
I endorse the yen for automation.
I’ll take the strain and with aught stress
But living breath, do more with less.Nuncle: Oh, bless.
It’s easier than that:
You’ll just do less.
References
- ↑ © Peter “Rabs” Warren
- ↑ There are many aspects of the plot that, in passing, borrow from Büchstein’s other works, notably La Vittoria della Forma sulla Sostanza, which featured a similar “Homunculus”.
- ↑ An idea later taken up by, among others, Wagner, who invented his own “Wagner Tuba” for the Ring.